Canuck Audioholics Anonymous CAA Reviews & Fun Banter

[ToneDeafMonk]

Ocean, campfire and my @Oriolus Szalayi
@iBasso DX340 and AMP17 damn do i love this combo!

Canuck Audioholics Anonymous (CAA)

[kingnubian]

Astrotec GX100 – Shine Brightly

Preamble:
Astrotec has been around for some time, but is not one of those companies that may be at the forefront of people’s minds. On their website, they spell out their purpose: “Astrotec’s endless pursuit of exploration in acoustic technology, and the combination of acoustics and aesthetics.”
The $50 GX100 is a new product that, concerning price, sits at the bottom of their product line. It is a diminutive-sized iem with a combination metal/resin housing and a hybrid driver complement of a single 10mm LCP driver working alongside a 10.6mm Piezoelectric Ceramic driver. The website description states that the technologies employed do not use a crossover. Astrotec boasts that the GX100 is tuned to follow the Harman curve, but they do not indicate which one. Tuning-wise wise we have a bright/neutral sound. Upper mids and treble are prominent here, with the bass just a step in the back. I am not one to use EQ, but with the GX100 the built-in bass boost of the Xduoo XA-02 and iFi Hip-Dac did wonders with the GX100’s sonic balance. The GX100 handled this boost beautifully and really highlighted the quality bass it can produce.
Most sources can easily power the GX100, and you can enjoy it. The one caveat is that, given its tuning, for me, a warmer source was required. One issue was that, because of the small size of the IEM, tip rolling was essential to get it firmly set and sealed in my ear. Please note that not having a good seal did adversely affect the bass quality and quantity significantly.

SPECS:
Item Specification
Model Name GX100
Driver Configuration Φ10mm LCP Diaphragm Dynamic Driver + Φ10.6mm PZT Driver
Frequency Response 5Hz – 40kHz
Impedance 32Ω
Sensitivity 108dB/1mW
Max Input Power 10mW
Cable Silver-Plated High-Purity Oxygen-Free Copper (2mm² 2-pin 0.78mm)
Plug 3.5mm Stereo

Build & Fit:

1. Nice-looking IEM with resin shells and a metal faceplate.
2. Build quality is good.
3. Shape and small size required tip rolling to get a good, secure fit.
4. The supplied accessories are sparse but of good quality.
5. The stock cable is above average for the price, though with average haptics.
6. Long listening sessions are comfortable, but this is tip-dependent.
7. Retail packaging is basic but nicely done.

SOUND:
Bass:

1. Bass goes moderately deep.
2. Great quickness and snap, if missing power.
3. Bass control, resolution, and speed are notable.
4. Mid-bass has good speed and responsiveness.
5. You can easily adjust the sub-bass roll off with EQ, and the GX100 handles it quite well.
6. The mids and treble can overshadow the bass.

Midrange:

1. Good clarity and composure with a vibrant presentation.
2. Detail retrieval, both macro and micro, is notable with more of a macro-dynamics focus.
3. Not much warmth, but not sterile.
4. Pleasing timbre and balance, if somewhat bright.
5. The upper midrange shows elevation, yet there is little, if any, harshness detected.
6. Note weight, not class leading. Midrange can sound thin at times.
7. Layering and separation are good
8. Transients have a rapid attack but lack impact because of only moderate note weight.

Treble:

1. The treble well extended.

2. Ample treble energy.

3. Detail retrieval is good.

4. Ample sparkle and air present.

5. Treble adds spaciousness to the sound.

   The overall sound is noticeably vibrant with good clarity. This is not a sound for the treble-sensitive listener, as a bright/neutral tuning is what the GX100 offers out of the box. I indeed found it bright, yet not overly aggressive.
   Even though the bass is high quality, the forwardness of the mids and treble more often than not overshadows it. Generally, I am not one to use EQ, but did find that the built-in bass boost offered by the Xduoo XA-02 and, in particular, the X-bass of the iFi Hip-Dac brought tangible benefits to the overall sonic balance of the GX100, bringing up the bass shelf to be more in line with the energy in the upper registers.
   This adjustment wasn’t always required, but the GX100 took to this boost like a champ, which made me appreciate its sound even more, bringing its high-quality bass into clearer focus.

IMAGING & SOUNDSTAGE:

1. A moderately sized open soundstage.
2. Instrument placement is accurate.
3. Dimensions are moderate with adequate spacing around instruments.
4. The presentation of dimensions is natural with notable air.
5. Layering and instrument separation are also notable.
6. Dimensional cues are carried by the mids and treble as the bass is more subdued.

CONCLUSION:
Astrotec’s GX100 bucks the trend with a bright/neutral tuned IEM built for clarity and detail. While its energetic presentation may not be for everyone, I did find that with a little help, the high-quality bass could be easily brought up to offer an even more balanced sound. I found that with this small tweak, the GX100 rose above many of its direct competitors.
The GX100 and its dynamic/piezoelectric drivers offer up a sound that does not sit in the backseat but one that stands up. For those who value an energetic, bright/neutral tuning with EQ adaptability, the Astrotec GX100 could be of interest.

[kingnubian]

Earacoustics VSA Max – Flying Close To The Sun

Preamble:

Earacoustics Audio is no stranger to my ears. I had previously reviewed another of their products and came away with a positive experience.

The $150 VoidSilver Stalker Max represents yet another release from the company, previously known as TFZ. It is a single dynamic driver-based IEM sporting an 11.4mm titanium diaphragm housed in a jewel-like shell made of aluminum-magnesium alloy and topped off with a glittering faceplate.

The marketing for the VSA-Max on the Earacoustics website made me pause. The terms used to describe the IEM make me wonder what message they are trying to relay. That’s fine, though, as my ears and audio sensibilities will always make the final determination, not a marketing department.

Out of the box, the sound was bright/neutral; however, a lengthy burn-in period and careful tip and source selection improved it significantly. Some engineering and design thought went into the creation of these earphones. The Titanium driver uses two acoustic chambers to massage the sound, and the CNC shell is machined with specific chamber dimensions, again to extract the best sound out of the high-quality driver.

Tuning-wise, we have a V-shaped presentation with extra energy at the top. Careful source and tip selection can lessen much of this for treble-sensitive listeners who may be put off by this

The VSA-Max is easy to drive, but it is a resolving IEM, and as such, a better source is recommended. My listening preferences had me driving this IEM with a warmer source and choosing tips, Final Audio E-type, to manage the sonics. Doing so balanced out the sound profile.

Specs:

Driver: 11.4mm Full-Amplitude Titanium Diaphragm

Magnetic Circuit: Tesla Dual Magnetic

Impedance: 32Ω

Sensitivity: 110dB

Frequency Response: 5Hz–40kHz

Cable: 408-core OFC + Silver-Plated Litz, 1.2m

Connector: 0.78mm 2-pin

Termination: Interchangeable 4.4mm + 3.5mm

Build & Fit:

1. Attractive, not your typical looking iem. Shells have a relief pattern, and the faceplate is jewel-like in appearance.

2. Build quality is excellent.

3. Larger size, but the shape led to a great fit and comfort even for longer listening sessions.

4. The supplied accessories are also of excellent quality.

5. The stock cable is fabulous with interchangeable 3.5mm SE and 4.4mm balanced tips included.

6. The retail package is a treat, with a pleasing unboxing experience.

7. The included carrying case is also standout, similar to other Airacoustics releases.

SOUND:

Bass:

1. Bass goes deep.

2. Sub-bass has great extension and richness, sacrificing a little in firmness.

3. Bass control, resolution, and speed are notable.

4. Mid-bass has speed and responsiveness. Great impact noted.

5. Bass texturing is also quite good. Able to hear nuances in bass instruments.

6. Bass has an organic presentation with ample kick when called for.

Midrange:

1. Clarity and composure with a lively presentation.

2. Detail retrieval, both macro and micro, is notable.

3. Warmth in the lower mids gives male vocals some grunt.

4. Female vocals are exceptionally clear.

5. Pleasing timbre and balance, if somewhat bright at times. This is track-dependent.

6. The upper midrange shows elevation, yet there is little harshness detected.

7. Pleasing note weight.

8. Layering and separation are notable.

9. Transients have a rapid onset with obvious force and a natural decay.

Treble:

1. The treble well extended.

2. Energetic treble.

3. Detail retrieval is standout.

4. Ample sparkle and air present.

5. Treble adds spaciousness to the sound.

6. Treble characteristics may not be forgiving of poorly recorded music.

The overall sound is lively with excellent clarity. I found the “Out of the box” sound leaning towards a brighter presentation, but as previously mentioned, after burn-in, careful tip and source selection did much to improve the overall balance. This is subjective, and the listener will do what they must based on their preferences.

The VSA-Max driver is of high quality and is implemented nicely. I expected a “screamer” after looking at the marketing for this IEM, but instead, I was pleasantly surprised by a detailed and coherent sound.

The bass is solid and balances out the upper frequencies well. That, combined with an open midrange, with great clarity and a vibrant and detailed treble region. The VSA-Max does best with well-recorded tracks as music of lesser recording quality can suffer soundwise.

IMAGING & SOUNDSTAGE:

1. A moderately sized open soundstage.

2. Instrument placement is accurate.

3. Dimensions are balanced, being more natural than exaggerated.

4. The presentation has notable air around the instruments.

5. Layering and instrument separation are also well done.

6. Vocals are in the front, with the instruments being distinct in the headspace.

CONCLUSION:

Earacoutics are at it again with yet another release showcasing the 11.4mm driver, which appears in a number of their other products. The goal of the VSA-Max, at least according to the marketing, was to bring out the best in female vocals. This would have led to a purposefully tuned IEM, which possibly would not fare as well with all music types. Thankfully, this is not the case, and the VSA-Max is found to be more versatile than the over-the-top marketing would have you believe.

My time with the VSA-max was one of discovery, exploring what this IEM is capable of. Taking the time to give it the best chance to shine, managing tips, sources, and cables. It was time well spent as the VSA-Max did well. At its $150 price, there is no shortage of competition, though, and the Max has its work cut out for it. The QOA Mimosa for example, is a staunch competitor. Still, the single dynamic coherence of sound that the VSA-Max brings to the table should not be overlooked.

If you are in the market for a livelier, yet coherent sound signature with stellar build quality, then the Earacoustics Audio VSA-Max could be considered.

[SushiiFi]

Fiio Snowsky Echo Mini – Retro Vibes, Modern Performance

Fiio Just Shook the Budget DAP Market – Snowsky Echo Mini Review (Best Budget Audio Player?)

Pros:

• Compact & Portable
• Beautiful Design
• Excellent Sonic Performance
• Good Power Output
• Effective Heat Management
• Excellent battery life

Cons:

• Cumbersome UI
• No USB input or output functionality (nitpick)
• No hires Bluetooth codec support
• Slow charging

Specs

• 1.99-Inch 170*320 IPS Full-View HD Color Display
• Shell material: Plastic
• Dimensions: Appx. 8054.514.5mm
• Weight: 55g
• DAC: Dual CS43131
• Storage: Internal: 8GB
• External: Supports microSD card up to 256GB
• Bluetooth Codec: SBC
• Playback Formats: DSD, WAV, FLAC, APE, MP3, M4A, OGG
• Sampling Rates: DSD: 64/128/256, WAV: 24-bit / 192kHz, FLAC: 24-bit / 192kHz, APE: 24-bit / 96kHz
• Outputs: 3.5mm single-ended/4.4mm balanced
• Output Power: Output 1 (32Ω single-ended): L+R ≥ 100mW + 100mW (THD+N < 1%), Output 2 (32Ω balanced): L+R ≥ 250mW + 250mW (THD+N < 1%,)
• SNR: ≥ 131dB (32Ω A-weighted)
• THD+N: 0.0004%
• Noise Floor: 0.8 µV
• Price: 50$

Before starting the review, I want to thank fiio for sending the Echo Mini in for a review.

Accessories

The unboxing experience is straightforward and minimalistic. You get the device and a USB cable. The USB cable is of decent quality.

Design and build

The design of the Echo Mini is playful and neo-retro, I really love it. It’s lightweight and easy to carry around daily. The size is slightly larger than a regular dongle, but not so big that it becomes hard to carry.

There’s a door-shaped cutout on the back that, at first glance, might make you think it has a replaceable battery, but it doesn’t.

The build quality is decent. The construction is fully plastic, which keeps it light, but not to the point where it feels cheap. The build feels purposeful. Plus, plastic is naturally shatter- and dent-resistant

Functioanlity

OS Experience

The OS experience is the only real drawback of the Echo Mini. It’s not the easiest to use, and it will take some time to get used to the UI. You navigate using the buttons on top, and their functions change depending on which menu you’re in—this adds another layer of complexity. Overall, the UI is a bit unorganised.

Is it cumbersome to use? Yes.
Can you get used to it? Also yes.

With the latest firmware, FiiO has added an EQ feature with both presets and a custom option. It’s not a full parametric EQ, but it’s still a welcome addition. Kudos for that.

Battery Life, Charging and Heat Management

The battery life of the Echo Mini is very good. When running the FiiO FT1 Pro or other harder-to-drive headphones, the lowest battery life I got was around 9 hours. With regular IEMs, you can easily get up to 12 hours.

Heat management is also handled well—the device never overheats, whether you’re charging it or just listening to music.

The only minor downside is the charging time. Using a Samsung 25W charger, it takes about 1.5 hours to fully charge. If you’re using a slower charger, expect it to take even longer.

Gears Used For Testing and Drivability

Iems - Aful cantor, Thieaudio hype 10, Elysian Pilgrim, letshuoer 15 tanchjim bunny, Tangzu Zetian Wu Heday. In terms of

Headphones - Fiio FT1 Pro

The Echo Mini has ample power to drive all the IEMs I have, and it handled the FiiO FT1 Pro excellently. I am really impressed with the driving power of it.

Sound

The Sonic performance of the Echo is the best part about this DAP. Let me say this upfront. This is one of the best sounding dap that is available under $100. I have no complaints with the sound of this DAP.

The overall sound signature is neutral. It sounds natural and smooth, never leaning toward a cold or overly clinical presentation.

The extension into the sub-bass is very good, producing deep sub-bass notes with precision. The mid-bass thump is also well-represented with good authority.

The mids are also excellent. The lower mids are neutral-sounding, but they still have a good amount of heft, making male vocals and instruments in this range sound natural and well-textured. Lower mids never sound thin or lean. The upper mids are well-balanced, without any glare or excessive forwardness; they sound just as they should. The midrange overall has good texturing, especially considering the price.

The treble is smooth and free from harshness or glare. It retains a good amount of detail and has solid extension. The treble is well-defined, presenting details in a refined and gentle manner rather than bombarding you with excessive sharpness.

Detail retrieval is solid, with macro-detail pickup is excellent. The micro-detail retrieval is also impressive, echo mini has nice dynamics and sense of punch. The stage isn’t the widest I’ve heard, but it’s good for the price. Instrument separation and layering are also quite good.

I didn’t notice any background hiss or noise, and there was no interference as well. So overall, in the sound department, consider me impressed.

Bluetooth Transmission and USB Functionality

The Echo Mini also supports Bluetooth transmission, but don’t expect too much from it. It only supports the basic SBC codec, so there’s no high-quality Bluetooth streaming. That said, the Bluetooth quality is decent enough if you just want to use it with wireless headphones while walking or at the gym. I tested it with the Samsung Buds 2 Pro and Moondrop Space Travel, and it worked fine for casual listening.

Unfortunately, the Echo Mini doesn’t support any kind of USB input or output. I really wish it did, especially USB input, so that it could double as a dongle DAC. That would’ve made it even more versatile.

Conclusion

I’m really impressed with the value Fiio has provided with the echo mini. It’s handy, easy to carry, has ample power to drive harder-to-drive headphones, and sounds excellent good as well. Of course, there are flaws main being the UI not as easy to use and lack of Usb input. However, despite these drawbacks, I can confidently recommend this DAP to anyone looking for their first player or if you want off-line player, that is easy to carry and sounds excellent. Overall gets a thumbs up from my end.

[KrustyolBastid]

BGVP SOLOMON
Named after the legendary King of ancient Israel.
9 Driver Quadbrid IEM. $1299.00 usd

2x Sonion Ultra-high EST
1x Sonion Midrange Balanced Armature
2x Sonion Mid-treble Balanced Armature
2x Bass 8mm PU&LCP Composite Dynamic Driver
2x Sonion Atmosphere Bone Conduction Driver

*Sensitivity: 110.8dB SPL@1KHz (100mV)
*Impedance: 7.3 ohm@1KHz
*Frequency Response: 20Hz-70kHzv

Preamble:
Very sincere and gracious thanks, and appreciation go out to BGVP for providing the Canuck Audioholics review group with the incredible BGVP Solomon IEM review sample.
Tone Deaf Monk
King Nubian
Krusty’olBastid

Unboxing
I received the complete retail package this time, and it is top shelf through and through.

It ships in a large plain cardboard box with the wooden iem case, well protected by foam inserts, inside.

Opening the blue, with gold accents, iem case you are greeted by a lot of the color orange, the ear pieces, and a large orange and blue IEM carry case.
Inside the carry case are two high end two pin cables. One high purity copper litz wound, and, one high purity copper + silver (SPC or hybrid?) litz wound.
Both are terminated 4.4mm balanced.

Lifting the insert that houses the IEMs you find the accompanying accessories: 3 pair liquid silicone tips, 3 pair bass tips, 3 pair vocal tips , 1 pair foam tips, documentation, and cleaning tool.
Very impressive.

Pros and Cons:
Vented, medical grade resin shells have 6.2 mm diameter metal nozzles, and a very mild “wing” to aid with nozzle positioning.

Shells and faceplates are the same colour, blue with a gold fleck that reflects light and changes the color from lighter to darker blues depending on lighting angle. A gold metal border, and gold lettering adorn the faceplates.
Simple, yet, very elegant.

I would deem them large size, and fairly thick.
They fit my larger ears well, with good nozzle angle, and are fully seated with a mid point insertion depth.

Fit, as always is very personal and subjective, some may face fitment challenges with the large shells and nozzle diameters.

** The dual Sonion bone conduction drivers are NOT vented through the shell toward the ear. As was the case with both the BGVP DMA and BGVP Phantom snake year edition.
Both of the included 2 pin cables are TOTL.
Nicely colour coordinated with the ear pieces, metal fittings, and chin toggles that work well. Both terminated 4.4mm.

The Stock 4 strand Furukawa single crystal copper cable tames and warms the mids a touch, but also “muddies” the dynamics of the bass.

The bonus BGVP Temple cable Furukawa single crystal copper + single crystal silver 8-strand mixed cable.
(The online description leaves me uncertain as to whether it is a silver plated copper cable. A pure copper strand, and pure silver strand hybrid. Or, a pure copper strand, and silver plated copper strand hybrid cable??)

Regardless of its true construction, it sharpens the detail and separation nicely, enhances dynamics, and has a natural tonality on instruments and vocals.
It can be mids intense when paired with mids forward, high resolving source devices.
(Take into account I’m a bit mids sensitive, your mileage may vary)
Impressive driver count, and mixed array of name branded drivers.
Sonion bone conduction drivers have a somewhat subtle atmospheric presence compared to competitors “coil” type BC drivers.
(Personal, and subjective)
Easy to drive with a basic dongle.
Not source device fussy, but source device selection can aid in achieving a preferred personal sound.

Equipment Selection:
The Temple (copper/silver) cable offers an incredibly clear and detailed listening experience with enhanced dynamics, prominent mids, and bright highs.

The stock (pure copper) cable adds some warmth to, and, tames the mids and high end.
I found this cable offered a more “musical” presentation at the expense of some clarity, separation, and dynamics, while still maintaining a high degree of detail.

I found the Temple copper + silver cable best suited to my listening preference when paired to a mids neutral source device.

I only rolled a few source devices and easily landed on the Astell and Kern Kann Max as my preferred source.
The Kann Max is a fairly clear and resolving source device with a relaxed (not boosted) mids presentation.
The warmer Hiby R8ii and FiiO JM21 also paired well.

Equipment:
BGVP Solomon IEM, aged 100 plus hours.
Astell and Kern Kann Max DAP, low gain, 4.4mm balanced out.
Temple copper + silver cable terminated 4.4mm.
Eletech Baroque wide bore ear tips.

Sound:
Solomon is a clear, highly detailed and bright IEM, with excellent separation, clarity, and dynamics, with a solid bass foundation to anchor it all.

Bass:
The dual 8mm beryllium dynamic drivers are fast, the bass tight.
Listening to some sub woofer test tracks, sub bass gets low in the head space with plenty of satisfying boom and/or rumble. It can fill the headspace but decays fairly quickly and doesn’t linger long or overwhelm.

Bass is sub over mid bass.
Mid bass has decent impact but is easily consumed by the sub bass.

Mids and Vocals:
Mids are where most of the magic happens.
Solomon has, as close to a dead quiet background as you can get.
Mids are crisp and clear, highly detailed and tonally accurate.
Elevated and forward enough to be prominent, but not excessively.

Vocals, are also clean, detailed, natural and accurate. Both male and female.

Treble:
Highs roll off, but instruments like violin, piano, violins, flutes etc., still manage to reach high in the head above the mids.
Ultra highs add sparkle and air. The Sonion EST’s don’t decay too quickly giving cymbals and high hats a nice shimmer and sizzle.

Stage:
The head stage is wide, just outside the ears.
Open and spacious thanks to Solomon’s dark background. But more intimate than expansive.
Top to bottom height is very good. Sub bass will pull low when called on, mids and vocals nicely elevated, highs and ultra highs reach high in the skull.
Front to rear depth is average, vocals present forward, but depth to the rear is limited.
Left to right imaging and top to bottom layering are excellent. Individual placements on stage are precise and accurate.

Summary:
BGVP is a brand I have been aware of for a few years, but my first “ears in”experience with them began just recently when the Canuck Audioholics had the pleasure of experiencing, and reviewing, the Phantom Snake Year Edition. What an introduction to the brand!
Next was the DMA, another outstanding IEM. Despite being at a lower price than Phantom, nothing was spared with the build quality, attention to detail, quality driver compliment, and tuning.
A testament to the commitment and dedication of the company to providing top shelf product quality and performance.

Enter Solomon.
Another incredible dynamic, detailed, clean, clear, engaging, natural and tonally correct IEM, yet still musical and visceral.

With two distinctly different cables, and a generous supply of ear tips included, add in your own source device or two, and I believe a large majority of enthusiasts can and will find their happy place with Solomon.

Solomon doesn’t seek to satisfy dedicated bass heads, mid centric’s, or treble fans.
It offers a nice balance of excellence in all ranges, presented in the right amounts as per the demands of the recorded source.

Is Solomon worth the $1299 usd ask?
Having had the good fortune to be able to compare Solomon against a history of numerous IEM’s from $5, to kilobuck offerings….
My answer…… Yes.
For those whom are comfortable wading in the kilobuck pool.

Thank you BGVP, I am going to miss the Solomon.

My music sources:
Qobuz, and, FLAC and DSD files stored on the SD cards of my daps.
My music genre are primarily Rock, Blues, Jazz, Symphonic, Country, Rap, R&B, Pop, Electronic.

Enjoy your music.

[KrustyolBastid]

PULA UNICROM
SINGLE Dynamic Driver IEM 79.99 usd.

Single 10mm beryllium-plated dynamic driver.
Sensitivity: 101dB +|- 3dB SPL/mW
Impedance: 32 ohm
Frequency Response: 20 - 20000Hz

Preamble:
Thanks go out to Pula and HiFiGo for providing the Canuck Audioholics with review samples of the Pula Unicrom.
Tone Deaf Monk
KingNubian
Krusty’olBastid

DISCOUNTS!! are available on HiFiGo and AliExpress only until Aug 17/25. Enter the code below at checkout.
The code apparently also works on Amazon USA, not sure how to apply it.

Coupon Code: 818UNICROM (case sensitive)
I tried it on HiFiGo and AliX and it works.

Unboxing:
Retail packaging is nice and well done.
The cardboard box with flip top flaps to open has a foam insert that protects the contents well during shipping and prominently displays the ear pieces and green leatherette flip top carry case.
Underneath the foam insert you will find the modular SPC cable with 3.5 and 4.4mm terminations included, and 6 pair of ear tips, for 7 pair total including the ones that come on the ear pieces.

Pros and Cons:
Vented 3D printed resin shells are medium/small in size and capped with attractive stabilized maple wood faceplates. Available in 4 colors, each iem will have a unique grain pattern.
They fit my ears very well, lightweight and comfortable in ear.
Modular silver plated copper cable is a nice offering. Metal encased hardware, and the terminations have a threaded collar to secure the 3.5 and 4.4mm ends in place.
Chin toggle is tight and requires both hands to position it.
Easy to drive, basic dongle works well.
Not source fussy, although I find a more resolving source device helps open up the dynamics.

Equipment:
Pula Unicrom IEM, aged 50+ hours.
Hiby R4 DAP, low gain, 4.4mm out.
Stock modular silver plated copper cable, 4.4mm termination attached.
Electech Baroque wide bore ear tips.

Sound:
An overall warm, balanced, easy listen.

Bass is thick and warm, mildly bloated.
Sub bass has a boomy rumble with lots of resonance, and pulls deep when asked.
Mid bass is smooth and well mannered, it decays quickly and stays in its lane. Sub bass can easily override the mid bass on bass heavy tracks.
There is some bass bleed into the mids, but it tends to stay low in the head space. It adds warmth to the mids, without overshadowing or dulling them.

The mids are relaxed and not over energetic. They have good detail and clarity, just not forced or in your face.
Vocals are more elevated and prominent. Both male and female sound warm, natural and mostly accurate.

Highs roll off and are carried mostly by the upper mids. Micro detail is there but more subtle, no risk of harshness or sibilance.
There is a late peak that adds some sparkle and air to the ultra highs.

Head stage is good. Width between the ears. Good top to bottom height, front to rear depth pretty average.
Head filling, but stays within the head.
Left to right imaging is decent.
Overall imaging and layering is fair.

Summary:
I disliked critically listening to the Unicrom.
It’s obvious from the first listen it doesn’t aspire to be a master of technical proficiency. It’s tuned to be a smooth, easy going, enjoyable and musical listen.
Turning off the reviewer brain and allowing yourself to dissolve into the music and just go with the flow is the way to enjoy Unicrom.
When you do, you realize, those details, that aren’t being forced on you, subtly reveal themselves in spades.
That said, on energetic fast paced tracks… your toes will be tapping.

Unicrom is an IEM for those times you just want to shut down and enjoy your music library.

My music sources:
Qobuz, and, FLAC and DSD files stored on the SD cards of my daps.
My music genre are primarily Rock, Blues, Jazz, Symphonic, Country, Rap, R&B, Pop, Electronic.

Enjoy your music.

[ToneDeafMonk]

I feel the same its just a smooth great sounding chill iem

[KrustyolBastid]

COLORFLY SILVER REFERENCE
3 Dynamic Driver IEM $149.90 usd.

“I Won The Lottery!! THEY FIT!!

1X 10mm carbon-based composite diaphragm dynamic driver.
1x custom coaxial dual-dynamic driver
module:
10mm biological diaphragm dynamic driver 6mm titanium-coated diaphragm dynamic driver.
Frequency Response: 20Hz-20kHz
Total Harmonic Distortion:
THD01kHz <0.3%
Sensitivity: 107B SPL/ mW
Impedance: 16 ohms

Preamble:
LetShuoer provided the Colorfly SR review sample to the Canuck Audioholics via Andreal, their new store on AliExpress.
Thank you Letshouer! your support is very much appreciated.
Tone Deaf Monk
Kingnubian
Krusty’olBastid

Commentary:
I’ve seen several posts about the Colorfly SR and the most common comment has been “they sound good, but they don’t fit”.
Understandable considering their unorthodox shell design.

Well, I’m one lucky audio enthusiast.
They fit my larger ears very well. They are comfortable and don’t touch or dig in anywhere, albeit, getting a good seal and anchor does limit me to Sedna Xelastec ear tips.

The Colorfly SR is one of the most easy going natural sounding IEM’s I’ve heard in some time.
Well executed bass with a nice blend of sub and mid bass.
Mids and vocals are warmed, but clean and clear with good macro detail retrieval. Not overly forward or elevated, never harsh or sibilant.
Highs exhibit good micro details, a bit relaxed, with a nice splash of sparkle and air in the ultra.
Quite literally just enough of everything the track calls for, in just the right place.
Staging has good width and height, and better than average front to rear depth giving a nice holographic feel to the presentation.

Conclusion:
I’m listening on the iBasso DX340 with amp 17 installed. Stock 4.4mm cable, and Xelastec wide bore tips.

It’s a shame it seems this IEM didn’t physically fit well for a lot of folks.
It means many are missing out on a really nice sounding IEM.
Not sure of the motivation for the shell design, acoustic chamber design? driver arrangement??
But I hope Colorfly will stay the course on tuning direction, with a more conventional fitment next time.

My music sources:
Qobuz, and, FLAC and DSD files stored on the SD cards of my daps.
My music genre are primarily Rock, Blues, Jazz, Symphonic, Country, Rap, R&B, Pop, Electronic.

Enjoy your music.

[kingnubian]

Pula Unicrom – When It’s Time To Chill

Preamble:
Pula has released several quality IEMs, including the Anvil and the PA02, which I have and still enjoy. Their latest release, the $79 Unicrom, falls at the bottom of their product line regarding pricing.
The Unicrom features a single 10mm beryllium-coated dynamic driver housed in a resin shell and adorned with a stabilized wood faceplate. Several colours are available, and because of the nature of the material used for the face panels, no two are exactly the same.
Pula does mention a “smooth, natural sound profile”, and to a great extent, they have achieved this with the Unicrom.
Tuning-wise, the Unicrom offers up a balanced sound with noticeable warmth. The bass has a thickness to it, but at the sacrifice of a little control. Snappy mid-bass, a well-managed midrange, and treble that, while rolling off at the top, complements the overall sound well.
The Unicrom is easy to drive, and was happy with the few sources I drove it with. For tip selection, I went with a short-stemmed, wide-bore model.

Specs:

High-Performance Single-Dynamic Driver IEMs.
10mm Beryllium-Plated Dynamic Driver Unit.
Professionally tuned for a natural, balanced sound profile.
Exquisite Build with Stabilized Wooden Face Panels.
Silver-Plated Copper Stock Cable.
Swappable Termination Plugs(3.5mm+4.4mm).
Lightweight, Ergonomic Earshells.
Premium-quality leather carry case.

Build & Fit:

1. The Unicrom is an attractive and well-built IEM. The manufacturer finished the resin shells well.
2. Build quality is excellent.
3. Larger size, but the shape led to a great fit and comfort even for longer listening sessions.
4. The supplied accessories are also of excellent quality.
5. The stock cable is notable, with interchangeable 3.5mm SE and 4.4mm balanced tips included.
6. The retail package is a treat, with a pleasing unboxing experience.
7. The included carrying case is also standout, being larger than typical with tasteful branding.
8. Lots of quality tips included.

SOUND:
Bass:

1. Bass goes deep.
2. Sub-bass has great extension and richness, sacrificing some firmness and detail.
3. Bass has nice rumble when called for.
4. Mid-bass has snap. Great impact noted.
5. Bass texturing is not class leading but adequate.
6. Bass has an organic presentation with ample kick when called for.

Midrange:

1. Clarity and composure with smooth presentation.
2. Detail retrieval is macro over micro in quantity.
3. Midrange warmth noted, in particular for male vocals.
4. Female vocals are clear and expressive.
5. Pleasing timbre and balance.
6. The upper midrange shows elevation, but it is well managed and moderate.
7. Pleasing note weight.
8. Layering and separation are pleasing.
9. Transients have a rapid onset with obvious force and a natural decay.

Treble:

1. The treble moderately extended with falloff at the top.

2. Treble has a smooth presentation and avoids being harsh.

3. Detail retrieval is pleasing.

4. Adequate sparkle and air.

5. However, frequency falloff limits treble in some tracks.

6. Treble smoothness compliments the rest of the frequency range.

   The Pula Unicrom is an IEM that is easy to listen to, being also versatile, and lends itself well to any genre of music I cared to throw at it. The sound signature is warm and inviting.
   While listening to the Unicrom I could not get it out of my head how much its sound reminded me of the Kiwi Ears Cadencza, albeit the Unicrom having sonics which are more audibly refined. Bass is present and forceful when required, the midrange delivery is smooth and balanced with obvious warmth, and the treble is clean and fairly articulate though falling off at the top.
   The Unicrom is an IEM where the whole is greater than the sum of the parts. When listening with a critical ear, each part of its frequency range has faults, but when taken as a whole, the auditory experience comes together in a cohesive presentation that does suit long listening sessions and overall was more than pleasing.

IMAGING & SOUNDSTAGE:

1. A moderately sized open soundstage.
2. Instrument placement is accurate.
3. Dimensions are balanced, being more natural than exaggerated.
4. Space around the instruments is adequate.
5. Layering and instrument separation not class leading but well done.
6. Vocals are distinct.

CONCLUSION:
Pula have succeeded in bringing to market a good sounding and beautifully presented and manufactured IEM with the Unicrom. Even though the IEM has a warmer sound profile that won’t offend the ears, it is not laid back and bland. Its sound is livelier without being brash or offending. I found that the Unicrom faired best when I was not critically listening, enjoying music just for its sake.
Pula continues to impress with the retail experience as well, seeing fit to include a wonderful cable and lots of tips, all of this housed in a very attractive case.
If you are looking for an IEM with a warmer sound profile without sacrificing clarity and musicality, you should consider the Pula Unicrom. It just sounds good.

[kingnubian]

Sivga Que UTG – A Moment of Clarity Please

Preamble:

Sivga, Dongguan Sivga Electronic Technology Co., Ltd, established the company in 2016 to focus on producing and innovating high-end headphones. They have a number of products, from IEMs to full sized, over-ear headphones.
The $90 USD Que UTG, regarding pricing, lands in the middle of their IEM offerings, with their full-sized headphones reaching prices many times more. This IEM has a “Classic” look that I find attractive with its beautifully machined zinc alloy shell and green sandalwood faceplates.
The driver complement includes a single 10mm dynamic driver. The interesting thing about this driver is that it employs a Japanese-sourced ultra-thin flat glass diaphragm. I can’t remember if I have heard of any other IEM which uses this material in driver construction, so that by itself is a point of interest.
The Que UTG is fairly easy to drive, requiring just a touch more power than some of the recent products I have listened to. It is also a resolving IEM, and as such, benefits from a more capable source. I recommend a warmer, yet resolving, source for driving the Que UTG.
Tuning is on the neutral side with a lean towards being bright/neutral. The warmer low end gives way to a more analytical midrange and treble. Bass prominence steps back a measure from the midrange and treble. As such, treble-sensitive folks may have something to gripe about

Specs:
MODEL: SIVGA QUE UTG
IMPEDANCE: 32Ω
SENSITIVITY: 103dB
FREQUENCY RESPONSE: 20Hz - 25kHz
CABLE LENGTH: 1.2m
PIN TYPE: 0.78mm 2-PIN CONNECTOR
PLUG TYPE: (MODULAR) 3.5mm, 4.4mm
DRIVER UNIT: 1 DYNAMIC DRIVER

Build & Fit:

1. Quite an attractive iem with classic style cues.
2. Build quality is excellent.
3. Medium-sized with a comfortable fit.
4. The supplied accessories are also of notable quality.
5. The stock cable has nice haptics, with interchangeable 3.5mm SE and 4.4mm balanced tips included.
6. The retail package is a treat, with a pleasing unboxing experience.
7. The included carrying case is also well done, being larger than typical with tasteful branding.

SOUND:
Bass:

1. Bass goes deep, with a caveat stated below.
2. Bass drive and power does take a backseat to the midrange and treble.
3. Bass has moderate rumble.
4. Mid-bass has great speed and snap.
5. Bass texturing and detail are quite good. Quality bass over bass quantity.
6. Bass takes very well to eq.

Midrange:

1. Exceptional clarity and transparency.
2. Detail retrieval is ample with both macro and micro-details clearly present.
3. Lower midrange warmth noted, in particular for male vocals.
4. Female vocals are clear and expressive.
5. Pleasing timbre and balance.
6. The pinna gain elevation, but it is well managed and doesn’t have harshness.
7. Pleasing note weight.
8. Layering and separation are notable.
9. Transients have a rapid attack with natural decay.
10. Not the most forgiving of poorly recorded tracks with lots of upper energy.

Treble:

1. The treble extends well.

2. Treble has crisp yet decisive presentation.

3. Detail retrieval is notable.

4. Ample sparkle and air.

5. Treble can become somewhat hard in tone with poorly recorded tracks.

6. Treble clarity compliments the rest of the frequency range.

   The Sivga Que UTG has a sound that grabs the ears with its clarity and open nature. In the midrange up, there is an analytical nature to the sound that may be off-putting to some, but it is tempered by warmer lows and a mature tuning, which retains more than a touch of musicality. I, for one, do appreciate the midrange presentation, which grew on me the more I listened. Just be sure to feed the Que UTG well-recorded music, and it’s all gravy.
   Another point of contention is the bass, which seems to let the midrange and treble dominate. Interestingly, while I often heard this, it depended on the track, and the quality of the low end was notable. Throughout the frequency range, this IEM proved to be a precise and responsive performer.

IMAGING & SOUNDSTAGE:

1. A moderately sized open soundstage. More intimate than expansive.
2. Instrument placement is accurate.
3. The dimensions balance, seeming more natural than exaggerated.
4. Space around the instruments is clearly defined.
5. Layering and instrument separation are well done. Congestion free, even on busier tracks.
6. Vocals are distinct.

VERSUS:

• Pula Unicrom
  I had just finished reviewing the Unicrom and I have to say, these two IEMs, while both good, are so different in sonics that they could be from different planets.
  The Unicrom has a more prominent bass, but regarding bass control and clarity does not approach the Que UTG which has a higher quality low end.
  The midrange follows the same script, the Unicrom being warmer and lusher while the Que UTG rolls over it when considering detail retrieval and overall clarity. The Que UTG does also sound more open but less warm.
  The Que UTG has a more extended treble with better clarity and detail. That being said, the treble of the Unicrom complements the rest of its frequency range well and is a touch more balanced, though not as detailed.
  The Unicrom is also less critical of poorer recordings, but when fed with high-quality tracks, the Que UTG would be my pick.

CONCLUSION:
Sivga has much to be proud of with the Que UTG. Here we have a reasonably priced IEM boasting exceptional clarity and technicalities, which looks great as icing on the cake. I am very interested in what this driver tech can achieve sound-wise with some tuning tweaks, given its high quality. A few decibels more bass presence would have put this one over the top. My message to SIVGA is take this driver tech higher. You are on the right path.
That being said, the more I listened to the Que UTG the more I came to recognize and appreciate its particular sound. Musical with an analytical element in its tuning, it became a joy to listen to.

[pong2541]

I just got the ISN EST80 and for the first time buying from that brand, it’s quite good. Scales well with volume and sounds balanced despite it being a W shape sound signature.

Bass is well balanced and doesn’t favor the sub or mid-bass. Also, it’s well textured and hits deep when needed. Midrange is lush, thick and forward as expected for ISN’s reputation. The upper midrange doesn’t sound spicy for the most part and slightly has that sibilance/sharpness at the treble region. But that’s only cuz I upped the volume a bit higher than needed. The EST80 has that good energy, coloration and detail for Pop, Rap, R&B and EDM. I don’t hear the airiness from the EST drivers just yet so I might need some more time for the brain burn-in. Good job ISN, looking forward to your future products

[ToneDeafMonk]

That one definitely looks good

[pong2541]

seems to match what bucky said: “more relaxed than ebc80 but still enough excitement”. good thing I went with the est80 instead, my ears can’t handle that much upper mids and treble region especially at higher volumes. @ToneDeafMonk

[ToneDeafMonk]

I have been busy

Kiwi Ears ALTRUVA Open Back Headphones 4K

Xenns Mangird Top Pro 4K

[kingnubian]

BGVP Solomon – A Technical Masterclass

Preamble:
The old saying “You Know Me, but You Don’t Know Me” is how I like to describe BGVP. Though they have a recognized place in the IEM market, they are not as intimately known as some oth-er players.
What I mean to say is, this is one company that seems to stand on firm technical knowhow and the solid implementation of that knowledge to produce positive tangible results. This is a different ap-proach from that taken by some of its competitors, who unfortunately allow the marketing department to dictate what a product is all about. Okay, enough ranting.
The Solomon is a TOTL calibre release. There is one more in their line, more expensive though, from a company that regularly releases some pretty ambitious products. Its nine-driver complement is impressive with dual horizontal symmetrically opposed 8mm PU+LCP dynamic drivers, 2x Sonion mid-treble balanced armatures. a single Sonion balanced armature for the midrange, 2x Sonion EST drivers and 2x Sonion bone conductor drivers.
Tuning wise the Solomon offers a balanced and mature sound signature with a touch of empha-sis in the upper registers. It has a bass that is of excellent quality but may not be for bassheads as it re-lays what’s in the track without embellishments. Driving the Solomon is fairly easy; however, it is high-ly recommended to drive it with a very capable front end, as it is a detail and resolution monster. I would also recommend a warmer source.
With the Solomon, BGVP have put on a masterclass in driver balancing and implementation. What they have achieved is a showcase of technical prowess in sound.

SPECS:

Drivers: Bass: 2x horizontally opposed 8mm LCP + PU composite diaphragm dynamic drivers.
Midrange: 1x Sonion Midrange BA.
Mid-Treble: 2x Sonion BA.
Treble; Sonion EST
2x Sonion Bone Conduction Drivers
Impedance: 7.3ohm.
Sensitivity: 110dB.
Cables: 4.4mm Balanced 4-strand Furukawa OCC Mixed Cable
4.4mm Balanced 8-core Furukawa SCC + Silver Coated Copper

Build & Fit:
The $1299 USD BGVP Solomon is a larger IEM, but its shape affords a comfortable fit. Tip selection will be important here for a secure fit and good seal, as well as the best sound.
The Solomon is an attractive IEM with its blue resin shell and gold-coloured accents and taste-fully done branding.
The retail presentation is next level wow. From the jewellery-quality wooden box to the obvi-ously high-quality accessories and appointments, everything here screams luxury. The unboxing experi-ence is akin to a new Rolex more so than an iem. BGVP has really gone over the top here, and it’s really up to the consumer as to how they react. After seeing the retail package, the first thing that crossed my mind was, “This better sound better than good.”
The included cables, yes there are two, deserve their own paragraph. Luxurious is the best way to describe it. Some manufacturers sell cables of this quality for higher than the cost of the Solomon itself.
The quality of every item was exemplary. From the finish of the IEMs to the additions, it seems they meticulously planned everything.

SOUND: Where the tires hit the road.

Bass:
The low end offers a balanced bass approach. This a more of a “what’s in the track’ type of tun-ing approach that makes the Solomon more versatile regarding music genres. With exemplary speed and control, the bass quality is excellent. The Solomon presented the textured bass notes on “Angel” by Massive Attack with great clarity. The Solomon’s potential bass power became apparent on “Intelligent Hoodlum” by Manix!. Again, the Solomon is not about making the ears bleed, but to faithfully play-back what is in a track. The double bass on “No Worries” sometimes gets buried with lesser detailed iems, but with the Solomon I could easily follow the notes.
BGVP have with the Solomon, crafted a high-quality bass delivery with ample control, texturing and speed, not to mention great tone. Bass also does not bleed into the midrange. While it may not satisfy the diehard bass maniac, quality almost always beats quantity in my book. Well done.

Midrange:

The BGVP Solomon is more resolving and analytical than warm and lush, yet it does not sound clinical. There is a sense that everything in a track is being served on a silver platter with nothing missing. As such, music with questionable recording quality could have its deficiencies made more obvious as the listener hears everything, both good and bad.
The Solomon’s midrange presents a crisp, open, and transparent canvas. Even on complex tracks such as “Beautiful Lie” by Vick Lavander, the Solomon makes it almost too easy to pick out each instrument in its own space. This space enlarges on less complex tracks, adding to the already open nature of the Solomon’s midrange.
Macro and micro-details are in abundance here with even fine details heard. Vocals, in particular female, are more forward in the mix than male, with all the nuances laid bare. This is not an IEM that sound can hide from.
Listening to “Love You to the Letter” by Anita Baker, I was more than pleased with the crisp vocal playback. “Tenderhearted Lover” by John Stoddart was the next song, and though it seemed a little less warm than I usually prefer, I could clearly hear the emotional delivery of this great artist.
The transients have admirable management, with excellent attack and a natural falloff. Timbre is very good, with instrument texturing being a standout.
Nitpicks are few, but in this world, nothing is perfect. I found that occasionally there was dry-ness and a lack of note weight and fullness of tone in the midrange. How detailed the Solomon is may have exasperated this even though I am a lover of details. This is also a preference and usually necessary for my complete musical immersion.
Still, despite my nitpicks, the Solomon continues to be a tour de force is sound. I am a lover of detail, and I could not ask for more. Lovers of complex orchestral passages will find much to love with the Solomon. In fact, this IEM lends itself well to every genre I threw at it. Midrange clarity is TOTL here.

Treble:

The BGVP Solomon has a treble that is extended with ample sparkle and air. Detail retrieval is exemplary, as are resolution and control. The treble seems to go on forever with no harshness noted at all.
Here we have a treble that excels at exposing the upper harmonics of instruments naturally with great resolution. Treble-sensitive folks may have something to say, but to these opinionated ears, it’s all bliss up top.

IMAGING & SOUNDSTAGE:
The BGVP Solomon throws up a wide and expansive soundstage that never sounds overdone. What is pleasing is the instrument separation and layering of all the elements. Imaging within that soundstage is pinpoint precise.
The analytical nature of the Solomon soundstage put on a show here, and it sounds more like a monitor than your typical consumer IEM. In fact, I would rank its soundstage and imaging alongside the likes of the 64 Audio U12t and U18t, which I described as “tools that just happen to sound musi-cal”. Not in absolute dimensions but more so in the analytical nature of its presentation. Technicalities are where the Solomon performs like a champion.

CONCLUSION:

With the Solomon, BGVP has solidified, at least in my mind, their standing as one of the most technically adept IEM manufacturers. This is not just referring to the tech, but also the sound they ex-tract from all that technology.
The Solomon is a statement in both form and execution, awarding the listener with an open landscape where the view is as far as the eyes can see. Is it for everyone? No, and I would be remiss if I thought so, as my ears and audio sensibilities are mine alone, audio being the subjective and fickle thing that it is. At times, I would have preferred a touch more note weight and fullness of tone, nevertheless the Solomon is a triumph.
BGVP has given us an IEM for those who value clarity, precision and musicality. Taken as a whole, both physically and auditory, the Solomon is actually a pleasant surprise at its asking price. There, I said it! I have listened to more than a few more expensive, some much more, IEMs that cannot match the innate qualities of this IEM. If musical precision is what you are after, the BGVP Soloman should be on your shortlist.

[ToneDeafMonk]

Great review Bennet!

[ToneDeafMonk]

Hiby R6 PROii 2025 A new Cirrus Logic DAC DAP w Heart & Soul 4K

I like this new Version very much has a great combination of neutral balance, power, technical chops and musicality!

[ToneDeafMonk]

CVJ brand Vivian a Vampy Bass Monster!

CVJ Vivian A Vampy Bass Monster 4K

CLEAR AND ENERGETIC Thats how the Letshuoer Audio D02 comes across for me.

Letshouer D02 Single DD $32 of Energetic Boost 4K

[kingnubian]

ISN EBC80 – Thick & Rich & Wonderful

Preamble:

ISN audio has been quietly putting out quality gear for some time. They have a reasonably extensive product line that features IEMs, earbuds and cables. The $630 USD EBC80, regarding price, stands near the top of their present line. This is not a new release, being out for close to a year now, but is still relevant, especially when considering its sonics.

The driver complement consists of an eight-driver hybrid setup with 2x Sonion ESTs for ultra-high frequencies, 1x Knowles balanced armature for high frequencies, 1x Sonion BA for the mids, 2x 8mm liquid silicone dynamic drivers for the low end and 2x Sonion BC drivers. ISN calls this setup “Quadbrid” and I guess they are right if taken at face value.

ISN, much like BGVP, is more than happy to reveal the manufacturers of its internal components, although they don’t go as much into detail describing the internal shell structure. Buyers can also select from three cable options when purchasing an EBC80, and the IEM will include one of them. The options are as follows.

• Three kinds of ISN cables for you to choose from

• ISN C2, H2, S2 cable options, you can choose the sound quality style of the cable paired with EBC80 according to your preference.

• ISN C2

• C2 is made of 2 shares 72 cores 6N+ OCC wires, the wire core is 0.08.

• C2 focuses on excellent bass, warm details and natural and full mid-range, suitable for users whose main sound source is neutral and bright.

• ISN H2

• H2 is made of 2 shares, 72 cores, 6N+ OCC & silver-plated OCC hybrid wires, the wire core is 0.08.

• H2 is a middle choice between C2 and S2, combining half of the characteristics of both.

• ISN S2

• S2 is made of 2 shares 72 cores 6N+ OCC silver-plated wires, the wire core is 0.08.

• S2 can bring the cleanest sound quality, suitable for users who pay attention to details and use warmer sound sources.

That is interesting, to say the least, offering cables based on sound. I can say that the one I had in was of excellent quality.

Regarding tuning, the EBC80 offers a “fun” but engaging tuning with some sub-bass emphasis and good treble energy when required. I would describe it as a moderate U-shaped sound signature with great accuracy and musicality.

Listening to the hypertechnical BGVP Solomon just prior to the EBC80, the ISN proved to be a less analytical but just as engaging experience.

Fairly easy to drive, the EBC80 can reach good volume levels with most gear. This is not an excuse to go the low road. This IEM thrives on more capable and resolving sources. Tip selection is also important here as the EBC80 is a chunky IEM and needs a good seal and secure fit to sound its best.

Specs:

• Model: EBC80
• Driver: 2EST + 2BA + 2DD + 2BCD
• 2 Sonion Electrostatic Driver for Ultra-high frequency
• 1 Knowles Balanced Armature for High frequency
• 1 Sonion Balanced Armature for Middle frequency
• 2 8mm liquid silicone Dynamic Driver for Low frequency
• 2 Sonion Bone Conduction Driver for Full frequency
• Color: blue , black
• Impedance: 13 ohms
• Frequency range: 5 Hz-40 kHz
• Sensitivity: 106dB
• Connector: 2pin 0.78mm
• Plug: 3-in-1 detachable gold-plated plug (3.5mm audio, 2.5mm ) balanced ,4.4mm balanced)
• Cable length: 1.2M

Build & Fit:

1. Good looking iEM, with their blue shells and luxurious faceplates with prominent branding.

2. Build quality is very good.

3. Medium-sized but a little chunky with a comfortable fit because of its ergonomic shape.

4. The supplied accessories are also of good quality.

5. Cable choices have apparent good quality and haptics. Detachable cable 4.4mm & 3.5mm.

6. The retail package is basic.

7. The included carrying case is generic, but functional with nice branding.

SOUND:

Bass:

1. Bass goes deep with a pleasing authority.

2. Both sub-bass and mid-bass have a dense, rich punchiness to them.

3. Bass has ample rumble when called for.

4. Mid-bass has great speed and snap. Nicely articulate.

5. Bass texturing and detail are quite good.

6. The bass presence is wonderful and refined.

Midrange:

1. Lush with great clarity and transparency.

2. Detail retrieval is ample with both macro and micro-details clearly present.

3. Lower midrange warmth noted, in particular for male vocals.

4. Female vocals are clear and expressive.

5. Pleasing timbre and balance.

6. The pinna gain elevation, but it is well managed and does not exhibit harshness.

7. Note weight and density are pleasing.

8. Layering and separation are notable. Spacious midrange presentation.

9. Transients have a rapid attack with natural decay.

10. Easily relay the emotions of a vocalist’s performance.

11. Organic delivery with natural instruments and vocals.

Treble:

1. The treble extends well.

2. Treble has a substantial presence without splashiness.

3. Detail retrieval is notable.

4. Pleasing quantities of sparkle and air.

5. Treble follows the midrange with a lush and clean delivery.

6. Treble harmonics sound natural and unstrained.

The ISN EBC80 is a wonderful-sounding IEM. ISN has achieved an outstanding balance between being technical and musical. The EBC80 is one of the rare IEMs that I easily got lost in the music while listening to.

The bass is satisfying with its juicy yet organic delivery and serves as a sold foundation to the rest of the frequency range. The midrange has an open and organic sound with wonderful clarity and detail, sounding more musical than clinical. Here, the treble presentation is just the icing on the cake with its extension, openness and natural clarity.

The EBC80 is flexible and sound great regardless of music genre.

IMAGING & SOUNDSTAGE:

1. A larger-sized open soundstage.

2. Instrument placement is accurate.

3. The dimensions balance outstandingly, appearing more natural than exaggerated.

4. Space around the instruments, which is clearly defined.

5. Layering and instrument separation are well done. Congestion-free, even on busier tracks.

6. Vocals are distinct and easily placed among the instruments.

VERSUS:

BGVP Solomon

I had just finished reviewing the Solomon when the EBC80 finally graced my ears. In a nutshell, these are two outstanding IEMs, but they do approach sound reproduction somewhat differently. The Solomon is more technical than the EBC80, which is more organic. I can put it like this: the Solomon dissects the music with a surgeon’s precision, while the EBC80 offers a more worldly view of the music. Each still sounds musical in its own right.

Both are fantastic sets; that is assured, and I will label them both as keepers.

CONCLUSION:

ISN has brought to the table a fantastic IEM in the EBC80. An IEM that suits my listening preferences well. This is an IEM tailor-made for long and satisfying listening sessions.

Combine great build quality, attractive looks and, above all else, a rich and satisfying sound, and the ISN EBC80 is a clear winner.

[kingnubian]

Myer Audio CKLVX CK2V – Time To Chillax

Preamble:
Meyer Audio is an interesting company with two separate yet similar product lines, CKLVX and Sliivo. I say similar since when inspecting what each line offers; it becomes apparent that there isn’t really a certain singular thing that separates them.
That being said, having recently listened to the SLA3 and S224, both from the Sliivo line, I approached the CK2V with high expectations. The CK2V largely met those lofty expectations, thankfully.
The $160 USD CK2V uses a hybrid seven-driver configuration with a single 10mm dynamic driver, a pair of Knowles balanced armatures joined by another pair of custom BA drivers. Additionally, dual micro-planar drivers and a four-way crossover complete this configuration.
Regarding tuning, the CK2V offers a balanced sound signature without emphasis on any area of the frequency range. The CK2V has a nice smooth sound with some added warmth in the lower midrange. While overall not the most refined set in its price range, it nevertheless offers a wonderful listening experience.
The CK2V is easy to drive and plays nice with most front ends. Trip selection was easy, and I went with a short-stemmed, wide-bored variety for my listening.

Specs:
10mm Custom Dynamic Driver+Four Balanced Armature Drivers+ Custom Composite Dual Micro Planar Drivers.

Two Knowles+Two Custom Balanced Armature Drivers.
High-Precision 3D Printed Acoustic Chamber.
Precisely Designed Four-Way Frequency Crossover.
Impedance: 40Ω.
Sensitivity: 108dB.
Termination Plugs: Gold-Plated 3.5mm+4.4mm.
Connectors: 0.78mm 2-pin connectors.

Build & Fit:

1. Attractive IEM. Medium-sized shells with a pattern adorned top plate with tasteful branding.
2. Build quality is very good.
3. Medium-sized with an easy fit suited for long listening sessions discomfort-free.
4. The supplied accessories are also of good quality.
5. Good quality detachable cable, 4.4mm & 3.5mm, with a solid screw-in retention mechanism.
6. The retail package is basic.
7. The included carrying case is generic, but functional with nice branding.

SOUND:
Bass:

1. Bass has good authority when called for. Rich playback of low notes.
2. Both sub-bass and mid-bass have a dense, rich punchiness to them.
3. Bass has ample rumble when called for.
4. Mid-bass has great speed and snap. Nicely articulate.
5. Bass texturing and detail are pleasing.
6. The bass presence is wonderful and decently refined.

Midrange:

1. Lush, balanced presentation.
2. Detail retrieval is good, macro over micro.
3. Lower midrange warmth noted, in particular for male vocals.
4. Female vocals are clear and expressive without added presence.
5. Pleasing timbre and balance.
6. The pinna moderately gains elevation, but it is well managed and does not exhibit harshness.
7. Note weight and density are pleasing.
8. Layering and separation are good but not class-leading.
9. Transients have a rapid attack with natural decay.
10. Upper midrange control restrains any forwardness. It might be too controlled for some listeners.
11. Organic delivery with natural instruments and vocals.

Treble:

1. The treble extends well.

2. Upper treble detail is notable.

3. Detail retrieval is good.

4. Pleasing quantities of sparkle and air.

5. Treble follows the midrange with a lush and clean delivery.

6. Treble presentation complements the rest of the frequency range.

   The CKLVX CK2V has a sound tailor-made for long listening sessions regardless of genre. The balanced mids, deep, capable bass and lush treble more often than not added to the organic delivery.
   Some may argue that the relatively tame upper midrange can reduce the liveness of the sound. I would argue otherwise, as this can usually become a distraction. This is not a lifeless-sounding IEM by any measure. I’m sitting here writing this while listening to Anita Baker massage my ears, and it’s all gravy.
   Although the layering and separation are good, some competitors such as the Sivga Que UTG and even the Sliivo SLA3 can do better at this metric, particularly on busier tracks. Still, the CK2V is a good listen and a wonderful IEM to just sit back and chill.

IMAGING & SOUNDSTAGE:

1. A larger-sized open soundstage.
2. Instrument placement is accurate.
3. Well-balanced dimensions.
4. Good instrument spacing.
5. Layering and instrument separation are well done.
6. Vocals are distinct from the music. Easy to follow.

CONCLUSION:
Meyer-Audio has released some quality products in the last year. The CKLVX CK2V follows faithfully in that path, offering a balanced sound that I am sure will please many listeners.