IEM discussion thread (Part 2)

Let Shuoer DX1

About Me:

I am a drummer. But, wait, it’s worse than you think; when I listen to music, I listen to primarily, and care most about, …the drums. This is my main focus when I audition hifi gear. I listen to the drums, then the bass guitar, then guitar guitars, then synths/pianos, etc., and vocals last. I’m telling you this as it really colours my view of gear. I care about staging and imaging a lot, because, done well, it sounds like I’m sitting in front of the drum kit. How punchy/tactile gear is is another aspect of sound I find very engaging as if you are sitting in front of a drum kit, you can feel it. If I refer to how accurate or not timbre is, I am really focussing on the timbre of snare drums, cymbals, toms, etc… So, if I rate a piece of gear, it is likely because it reproduces drums well. Although I have an ear for if vocals sound off, this aspect of music gets the least of my focus. Please bare this in mind when reading my impressions of the below gear.

Secondly, I studied sound engineering at university. Why does this matter? Well, it doesn’t does it? However, it does mean that I have a preference for “studio neutral” tunings and am very familiar with how instruments should sound. For me, the most “correct” sounding IEM I have heard is Let Shuoer’s Cadenza 12. I like other tunings, but my preference is for studio neutral. Do I have any hearing quirks? I don’t know, but I don’t think I do. My preference for neutral tunings is because they sound “correct”, i.e., more natural/true to life. So I likely have a-typical hearing. I listen fairly loud (in the high 80 bB range) and, although love all music, listen mostly to prog rock/good metal. I have included screenshots of the tracks from my test playlist for reference.

Thirdly, I have lots of tips, but don’t really tip roll. I do all of my listening with bog-standard Amazon foam tips as I find them to fit me well, be comfortable and sound good with most IEMs. I have lots of different tips, but I tend to only roll tips if I have a lot of time on my hands or my standard foams don’t fit; and even then, I usually just pick a different shape/size Comply set. So, almost all of my listening is done with narrow bore foam tips.

Lastly, I am a headphone/speaker guy. I’m not even sure this is relevant, but I feel that I am always drawn to presentations that are out in front of me and spacious-sounding. So while I may critique gear for staging in a certain way, it may just be my bias for headphone/speaker presentations.

My Gear:

FLAC / WAV / Qobuz > Node Nano > SU-1 / U2 Pro > Exogal Comet+ / Mojo / Onix XM10 / Hiby R4 > Taurus mk. II / WA6 / LD mk. II / LB B4-X / Earman Eagle

I do most of my listening on my desktop rig. This overkill for many of the IEMs I have auditioned, but outside of a synergy issue, I find that using my desktop chain really allows me to hear what an IEM/headphone is truly capable of as there’s no shortage of power or resolution.

This is my primary chain - FLAC / WAV / Qobuz > Node Nano > SU-1 > Exogal Comet+ > Taurus mk. II

For IEMs, I justify whether they’re going to stay or not based on their performance on my DAP. This has been the Hiby R4 since it’s release, but I am in the process of auditioning Onix’s XM10.

My impressions of Let Shuoer’s DX1:

I am lucky enough to have been sent this by Let Shuoer - so thank you allowing me to listen to this!

So, I don’t think this one is for me, but I think it has many strengths, and so it could be for you. This is the most capable single DD I have heard and, in my opinion, it punches way above it’s weight in terms of technical performance.

When I first plugged DX1 in, it was immediately apparent that I hadn’t previously heard an IEM like it. It was a familiar track I was listening to, Haken’s ‘Eyes of Ebony’, and the vocal was so clearly out in front of the rest of the mix. This shocked me as Haken are a prog metal outfit that allow space for all of the instruments to shine, and, I’d argue, as good as Ross Jennings is, are not a vocal-centric band - it’s just one of the many instruments contributing to the overall performance. But listening to this track on DX1, the vocals were so clear and almost separate from the rest of the instruments, it caught me off guard! The rest of the mix sounded like it was one step back from the vocals.
When looking at a squig of the DX1, you can see that the pinna gain region is ever so slightly elevated. This is in large part responsible for the forward vocals. There were other benefits to the slight elevation in this region and that was that bass guitars were more carved out of the mix; they’re tonality/character came through a lot more clearly. There was also a real weight to bass guitars that came through the mix. Snare drum hits had a real snap to them too. Drums all sounded quite tactile and full.

As you may have already guessed, if you have read the ‘About Me’ section above, I listen to drums first, then bass, then guitar, etc., and vocals last. So this vocal-centric tuning is pretty much the only reason why I would say that DX1 isn’t for me.

However, the drivers in DX1 are Let Shuoer’s newest creation and they are very capable. Imaging, separation, and frequency extension are all excellent. These drivers didn’t break a sweat even during busy passages. Because of this, I was somewhat in awe of this IEM and wished to see what they could do so I attenuated the 1-3k region by 1 dB and BAM, it set the vocals back into the mix where I prefer them to be. This tweak to the tuning didn’t harm any of it’s technical ability, but it did lose some of the “special sauce” of this IEM. It wasn’t quite as engaging with the EQ; snares weren’t as snappy, the drums weren’t as tactile…

In summary, this is an impressive IEM. It has slightly elevated, satisfying bass. It is somewhat mid-forward, but in a very inoffensive/beneficial manner. The treble is smooth and detailed. It stages well, images great and can resolve busy passages with ease. Apart from the vocal-forward presentation, it otherwise comes across as a well-balanced tuning.

I know my tastes are an outlier, given my penchant for drum-focussed listening. I also know that most people tend to listen to vocals as the primary focus of their music. I’d wager that most people listening to DX1 would see strengths where I see weaknesses and love this IEM.

I hopes someone finds what I’ve written useful.

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Thanks for sharing this. And is that a buckling spring keyboard I see?

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Indeed! An M122 :ok_hand: It’s one of the boards I use for work.

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A bit of an off-topic but not really? Speaking of IEMs, I have decided today to let go my pair of Simgot EA500 and give it to my father, whose birthday is gonna be next week. This is my way of me showing thank you and appreciation to whatever he did for me , for my mom and for my brothers in order to have a life despite not being perfect, at least we’re living well.

I hope he can enjoy that set for I don’t use it anymore, and I really cannot go back to it since I have the Pilgrims and the Volume S right now, and those those are astronomically better than the EA500.

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Hiby 10th Anni bundle…

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Is $650 for used UM Mest (OG) in perfect condition reasonable price in this day and age? I only see different MK2s offers for a reference. I’m targeting my first kilobuck and used market is messing with my price perception.

Hi, I would say $450. Personally I think there are much better IEMs at that price and lower today. The tuning of MEST OG is not holding up, and it is essentially a prototype. I would at minimum look for MK2 if you have to have a MEST.

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No. Get a used MK2 or other IEM. Otherwise the price is somewhere around $400 at best.

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No wories we all have our listening habits. Like how I listen primary for strings and brass because I grew up around them and the mild V shape with 3ish dB linier slope to 1khz with a 7dB pinna gain(basically a warmish squished DF) is how I hear correct likely due to how my classrooms and multi purpose halls sounded and that became my default room gain in my mind.

DX1 for the breef time I had demoing it was very impressive. The special sause of haveing that dry upper bass reverb that you get from brass bodies in general is really surprising. Usually that part is either super THICC or recessed to the point where you only hear the upper harmonics but not the main body.

While I like it alot I can see the issue that being a tight dry and slightly bright sounding iem its not for alot of people but I am grateful they made it anyways.

Its interesting that you say Eyes of Ebony doesnt have vocal forwardness. Granted Im using the SRH1840 so maybe the more DF tuned headphone would push the vocals all the way above the instruments but the singers vocals clearly louder and more well defined than the electric guitars which is surprising since they take up about the sameish frequencies. But this goes to show both the person and the source(Im using a Fiio K9 pro AKM which is a slightly warmish but thin and precise) can affect the perceved hearing.

Personally of the recent canjam the DX1 and Emiment Ears Emerald are the only 2 iems Im looking forward to potentially adding to my collection.

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It’s great to hear your take on DX1.

Regarding vocals in Eyes of Ebony; you’re correct that they are louder than the other melodic instruments. My experience with that song is that the vocals sit with the other melodic instruments in terms of sound stage depth. However, on DX1, the vocals seemed to step forward towards me quite noticeably, while the whole rest of the mix seemed to stay at the same distance away from me. That’s what I was referring to.

Are you into Haken?

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Not really Im more into electronic stuff like beast in black.

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This combo is an absurd value.

ND Planet & BTR11

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Do any of you know the expected release date of the Letshuoer DX1? I know a few of you have had them on tour/demo for a month or so but I’ve yet to find a release date.

Edit: I did find on a Japanese store listing April 25th but this is the only date I’ve found.

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It should not come out before the end of the month, I am guessing they will start the promotion very soon on social media.

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I finished my review today, taken good time on this one as I felt it deserved my all. I am already a Letshuoer fan from previous models, and with the DX1 having a familiar sound to Cadenza 12 and Mystic 8 it was destined to be nice for me.

You will get a single DD that’s transparent and technical, with a tuning that’s neutral warm. I have been more than satisfied, and if price is still under $200 it will be a bargain.

Can read more in the review, cheers.

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Here are my thoughts after two weeks with the Dita Mecha, a $900 USD single dynamic driver IEM with an impedance of 32 ohms and sensitivity of 113 dB (units, Dita?! likely dB/mW @ 1kHz). Thanks AudioGeek EU for the tour!

The Mecha offers a mid-forward tuning with lots of midbass warmth. It has a satisfying bass presentation where the prominent mid-bass provides a solid foundation while the clear mids bring engagement. The treble is polite, making for an easy-listening experience, though some might miss upper treble air and deep sub-bass rumble.

Despite the smooth presentation, detail retrieval and separation are good. Just don’t expect that extra sparkle or sustain on cymbal hits or synths. I found myself gravitating toward acoustic music with these (rock, folk, jazz), rather than hip-hop, pop, or electronic genres.

They’re efficient and easy to drive from various sources. Isolation is below average. The shells have 6mm nozzles and are generally comfortable, though I experienced a hotspot on my tragus with was a bit of a deal-breaker for longer sessions.

This is the best single dynamic driver IEM I’ve heard yet (also the most expensive). It reminds me of the I/O Volare, as both have a similar tonality with polite upper-treble. The Mecha has noticeably more midbass and is easier to drive. I can see how the premium titanium build and tuning differences might justify the $300 premium for some listeners.

I like the Mecha. In many ways, it’s completely complementary to Dita’s Project M (has the subbass, air, less midbass), and I think both demonstrate that even with their “cheapest” options, Dita really knows how to tune. Worth considering if you’re looking for this kind of warm, full-bodied, easy-listening signature and value the premium build.

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Thanks for the great review again! Enjoyed the read and cannot agree more with you - happy Easter to you and everyone who celebrates it :slight_smile:

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Somewhat of a hopeful buy it now price? :joy:

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I wouldn’t buy Krin’s crap for $100. :grimacing:

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That’s a really thoughtful take — makes total sense how your environment shaped your preferences. I had a similar experience but leaned more into mid-forward tunings because of vocal-heavy stuff growing up.

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