Hey guys, I hope everyone is well!
I have something really special that I’d love to share with y’all.
To be completely blunt, outside of 2 sets (Jay’s new collab IEM, the Seraphim and The Symponium Zenith), I’m pretty much done with the hobby. Chasing the dragon just isn’t appealing to me anymore. I’ve fully reached the point where I’m only around here and on Discord strictly to talk to my audio buddies. So I’ll cut to the chase.
I got these in from my newly acquainted friend, Isaiah from Symphony Ears and I have to talk about them;
His small company is not really a company; it’s just him. He’s 21 years old and genuinely making some bangers. His other IEMs have eluded me up to this point, but I’ve always seen them around the forums and mentioned in other forums, so I’ve naturally always been interested in trying them. Here I was thinking this was some team of guys, somewhere in Singapore or China, making these… little did I know these are handcrafted in the US with branded drivers, mind you, but 1 young man that’s just interested in making good IEMs.
C’mon.
These are his newest creations. The Hexad II.
The 3D Printed, 3-part solid resin shells house a tribrid setup, with a dual DD Iso setup, accompanied by 2 branded BAs (Sonion 26UA and Knowles 33518) and, to my surprise, after listening, 2 Micro Planar Drivers.
I know, I know, MPDs. Here’s the interesting part: where other sets, like, for example, the Dunu Bros (142/242) let the MPDs handle the lower treble around 5-7k, leading to some whispy and crunchy timbre in a lot of songs, the Hexad II allows the BAs to handle the sound all the way up to 10k. Even now, as I sit here and listen to them knowing that there are MPDs in the shells, I still can’t get a sense of that nasty timbre I’ve been complaining about for a solid year now. I am genuinely impressed by the tuning/cross-over decision made here.
The overall tuning is on the neutral but well-extended side with a mid-range dominate presentaion that doesn’t completely abandon the treble or the bass. The entire signature leans on the warmer side to my ears with a more relaxing vocal presentation, especially coming out of the M33, but details are ever so delicately presented in a way where you really do have to listen with intention. They’re never in your face. Timbre is spot on, no complaints from me, and I’m the biggest wuss when it comes to timbre. Detail retrieval and overall resolution have not blown my mind, but layering and vocal separation are both standouts for my HRTF. The low-end percussion, bass lines, and guitars have a lovely, strong center image stance, where the vocals have this wrap-around-your-head feel, where they almost present right in front of me.
I specifically listened to these first BEFORE asking about the exact drivers. Hell, as I write this, I don’t even know the pricing. I’m trying my best to be unswayed by the details. I’ll say this now: The more I listen to them, the less I want to take them out. It’s rare for an IEM to grab my attention like this. It’s done in a way where I want to go through my library because they are doing something unique. That’s a hot and rare commodity in this hobby at the moment.
I’ll be doing a full write-up and photo session with these in the coming weeks as I get more listening time, but as of right now, my initial impressions are incredibly positive.
His Website ----> https://symphonyears.com/
