šŸ”¶ Focal Clear Mg

This is leading me to believe that the Clear MG is very transparent when it comes to its source. I can already attest to it sounding considerably different on two different stacks I have. I’ll do more testing and see what I find.

I’m primarily listening to the Clear MG on the Jot 2 + Bifrost2 stack where it does not sound bright to me. I never listened to the Elex on that stack. I listened to the Elex on the SMSL SU-8 & 9 and AAA THX 789. I briefly listened to the Clear MG with the SU-9 and the 789 and remembering it sounding considerably brighter (which I did not prefer). I haven’t listened to it on anything other than these two sources yet.

Valentine Luke You’re listening on a tube amp right?

luige06, what did you hear it with?

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I think a part of the issue is terminology as well.

For instance shouty is a great example. Shouty is typically a term used to describe elevated midrange (human vocal range) this the name shouty.

So a Dt1990 wouldn’t be shouty even if it might be fatiguing.

Let’s also talk about dark - dark could mean one of two things so I’m gonna clarify what I mean.

The Elex doesn’t have huge bass. It could use a bit of a boost imo and that’s one of the places where the MG is hitting a home run

What the Elex does have that’s dark is less upper treble and more upper mids.

I FINALLY understood the comparison to the Sennheiser 600 series with this take on ā€œdarkā€

This is what people tend to refer to as veiled.

At the end of the day I think my preference for the Elex comes from what it’s doing in the fr area where Bass meets mids.

If the Elex had the treble of the Clears (removing said veil) while maintaining what it does in the lower mids and a bit of a bass boost then it would really be the best for me,

That being said I stick to my opinion that if I had the money I would actually own the MG AND the Elex for the sake of variety and to listen to different stuff, and that it’s so strange to me how these headphones can have such a similar sound yet be so different.

Where all Focal headphones are very similar in my opinion is Timbre. Some say it’s ā€œmetallicā€ and that ZMF has the opposite approach to that but I don’t think EITHER are metallic.

DT1990 I could call metallic.

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This is what makes them difficult to pair, source-wise. It’s also one of their best qualities.

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I listen to everything I have on the Kann Alpha now which is the only thing I use as a source. This could DEFINITELY make a difference so I’m glad you asked. It could very well be that the MG would sound better (to me) on a different source, but for my preferences that doesn’t matter because the Kann Alpha is the most important part of my set up and is the one thing I’m not willing to change so I need something to particularly match it - whatever that headphone is.

I should add that I think this is a brighter source. It’s very much the opposite of ā€œveiledā€ in my opinion but not quite as much as the Chord stuff.

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Off of an RNHP via a Schiit Saga+ (tube preamp). I’m waiting on my Decware Taboo to be built.

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Great point to resurface luige06. ZMF’s strength on many of their headphones are their outstanding timbre. Especially when compared to FOCAL aluminum/magnesium drivers. For me, the OG Clear, Elex and Elegia (only FOCALS I’ve owned) all had this unnatural timbre characteristic to them. The Clear MG is the first FOCAL headphone that does not have that timbre characteristic which is the largest single reason I much prefer it to all the other FOCAL headphones.

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I don’t think the others were bad at all but we definitely agree about this.

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This has been great conversation and I have a feeling we’re getting to the source of the issue. It’s all about your source.

I’m glad this turned out to be constructive and not heated. I’m very intrigued by all of this. It’s probably a combination of everything. Different definition of terms, amps, dacs, sources, cables, ears, muisic. It all makes a difference.

Unfortunately, it makes it impossible to accurately describe these headphones for anyone thinking about purchasing one. I guess with the Clear MG, it’s imparitive to know what people will be driving them with to help them determine what they’ll sound like once in-hand.

Crazy.

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Given it was subtle, but it did exist. Going back and forth from my Elex to the 6XX, it was obvious how bad the timbre was on the Elex which pissed me off because I enjoyed so many other aspects of the Elex. I think whenever I listened to the Elex, OG Clear and Elegia, I focused on it and it ruined my listening experience.

At the time, listening to the Aeolus’ tonality, it was so different and much more natural and realistic. I guess I probably was listening to a headphone at the time that showcased the FOCAL aluminum/magnesium drivers shortcoming.

For me, the FOCAL Clear MG without those timbre issues is nearing-in on perfection for me personally.

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I really love some of the Chord offerings, interestingly their lower tiered products. I own a Mojo that I use as my primary DAC, and I’ve listened to the HugoTT2 in my home for over a week.

They have the best transient/soundstage/imaging of any DACs that I’ve tried. The higher up you move in the lineup, the more ā€œreference neutralā€ they become. The TT2 on its own lacked dynamics for me, but the entry-level Mojo has more dynamic punch (which sounds more natural to me), but is less resolving. It’s a trade-off, but it leads me to believe that the Qutest would be the sweet spot for me (a planned future upgrade).

Another interesting observation I’ve made with Chord DACs is that they appear to smooth over high frequencies just a touch. So they are relatively ā€œneutralā€, but there’s some smoothing going on that makes them relatively fatigue-free to my ears. My guess is that the M-Scaler brings about greater details and a crisper sound/image. Just a suspicion.

The Clear MG, and most Focal are extremely sensitive/transparent to source. Synergy is really important when pairing Focal headphones.

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Yeah I agree that this was a good conversation and it’s why these forums are so valuable!

It’s one thing to watch a review. It’s another thing to see a bunch of people have a discussion and work out where differences in perception may be coming from.

I know I lurk on here a lot for that exact reason. Gives me an idea if a pair of headphones needs to end up getting bought to try and then potentially keep return or sell.

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I just want to add that I think Focal does center image a tiny bit better than ZMF. This goes for any source I’ve run them through.

(This being all the Focals vs the Verite using any of it’s pads)

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Not sure how this isn’t like… common knowledge at this point that the focal clear and mg respectively are both very transparent and very picky on their source. Have had quite a few amps where it just makes them sound bad lol.

These, the aryas, upper bracket audezes, hd800S, select iems of the higher brackets… kinda comes with the territory but not all are as picky as the clears from my experience… At first, when I picked up the clears I had them connected to a liquid platinum balanced to a bifrost 2… I honestly hated the headphone immediately… overly warm, overly colored, overly smooth, sounded veiled or compressed in the mids, dark on the treble, and dynamically not appealing at all. I had much better experiences with the asgard and violectric… never tried jot 2 and im working on that… but I ended up sitting with the RNHP which I really like the sound of. Not bothered with others yet such as Rebel or Flux, been meaning to check out geshelli as I think they would do well with clears potentially

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Pulled out my Elex today after 10 days of listening to the MG. The MG does everything better, IMHO!
I’m happy to hold on to my Elex for when I want to listen with a friend. I’ll let them use the MG. The Elex is a very good HP for this, and is still, a very good HP, just doesn’t really hold a candle to the MG.

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Testing this all out tonight and I can get the Clear MG to sound quite bright with a cable change and running it off a Fiio Q5s with THX amp module. I wouldn’t say fatiguing, but I would say bright. The Jot2 + Bifrost 2 have a smoother and rolled treble signature through the balanced output. I wonder how much of a difference my balanced cable is making as well.

I have a few more mobile amps to listen to and the ultimate test will be my studio interface Universal Audio Apollo.

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I guess the MG just marries very well with the Bifrost 2 > Jotunheim 2 combination. I’m not sure I could want any more than this.

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OK, I submit. I bought the Jot2 + Bifrost2 at the same time I bought the Clear MG and admittedly don’t know that stack like I know my other equipment. I’ve only been listening to the Clear MG on this set up.

The rolled off treble/darker tonality is coming from the Jot2 + Bifrost2 stack.

I just listened to the Clear MG on my Universal Audio Apollo and it sounds so different it’s difficult to believe.

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So, as someone else that has only used the Mg with the Jot2, and only has that amp, how does the sound differ on the Apollo?

It sounds as if the Schiit gear has been specifically tailored to sound a specific way. Using the Clear MG with the Apollo sounds eerily similar in frequency response to my professional JBL studio monitors which are driven by the Apollo.

The Apollo in comparison to the Schiit stack sounds more V shaped with stronger bass and much more elevated treble. The Schiit gear is more mid focused and almost veiled sounding. I can clearly see why the Clear MG can be used professionally as a studio reference tool after hearing it powered from the Apollo in comparison to my monitors.

I have not witnessed my gear sounding this different with any of my other headphones. Obviously the Clear MG is much more revealing than I had expected.

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I’m not sure I care why. My schiit stack makes the MG sound like MaGic to me. This sounds like end game to me.

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