AFUL Acoustics CANTOR

Aful Cantor Review

Pros

Excellent detail retrieval

High frequencies extend well without become sharp or fatiguing

One of the best technical set considering the price

Clean and inoffensive tuning

Bass extension and quality considering it is an all BA iem

Good sound stage

Competitively priced

Cons

Fit and tip sensitive

Slight timbre issue

Stiff competition

Tech inside according to Aful website

The Cantor features two advanced composite drivers: one for ultra-low frequencies (10-100Hz) with an ultra-thin, extended sound tube, and another for powerful bass. Precision-tuned acoustic tubes enhance depth, power, and clarity, transforming low-frequency performance with superior elasticity and bass depth. High-Precision 3D Printed Acoustic Tube Structure

The first technology is the acoustic crossover tube. It uses physical frequency division to adjust the sound frequency response of the pair. It has been fine-tuned and optimized to harmonize the sound waves from different tubes. This eliminates the peaks caused by the resonance of the unit under traditional frequency division technology.

The Non-Destructive Direct Drive Topology Technology in the AFUL Cantor earphones enhances sound clarity by eliminating resonance through an asymmetrical sound path, delivering extended, smooth highs. This advanced approach surpasses traditional damping methods, preserving high-frequency detail without harshness.

The AFUL Cantor’s Multidimensional Frequency Division Architecture efficiently integrates 14 BA drivers, each with a specific function, to deliver a cohesive soundstage with smooth frequency transitions and an immersive, balanced audio experience.

The Cantor earphones utilize high-precision 3D printing technology to create acoustic components with ultra-fine pathways as narrow as 0.15mm, pushing the limits of 3D printing capabilities. This precision enhances audio performance, providing bass with unparalleled depth and clarity.

It can directly act on the sound frequency response of the pair and helps in overcoming peaks caused by the resonance of the unit under traditional frequency division technology. It also gives the balanced armature drivers a smooth treble frequency response that rivals an EST unit.

Driver

Balanced Armature

Driver Configuration

14 Balanced Armature Drivers

Plug

4.4mm (Balanced)

Connector

0.78mm 2-Pin

Impedance

20Ω ± 10%

Sensitivity

106dB @ 1kHz

Frequency Response

5Hz - 35kHz

Cable Length

1.2m

Working Sound Pressure Level

20 - 106dB

Technology

Dual Channel Acoustic Maze Technology
Non-Destructive Direct Drive Topology Technology
Multidimensional Frequency Division Architecture Technology

Box Contents

  1. AFUL Cantor
  2. Detachable Cable
  3. Carrying Case
  4. Silicone Eartips (S, M, L) * 9

Disclaimer

This review reflects my personal and subjective listening experience with the mentioned audio gear product. I would like to thank Hifigo for organizing this review tour in my country and allowing me to share my thoughts on the product. Please note, this review is not influenced by any form of compensation.

Before proceeding, it is important to mention that most of my impressions of the gear are based on the source and test tracks mentioned, so your mileage may vary.

Sources: Earmen Angel and Cayin RU7

This is my first encounter with an Aful IEM, having previously skipped the P5 and P8. I was very interested in listening to their flagship offering, and I am thoroughly impressed. The Aful Cantor is a set of in-ear monitors (IEMs) that have been attracting attention in the audio community for their well-rounded sound signature and technical performance. I was excited when I was approached to review this unit, as I had previously shown interest in the P8. This review aims to delve into the various aspects of its sound characteristics.

Bass

Before delving into this section, it’s essential to address the proper use of Cantor’s nozzle and tips. Given the nozzle’s length, there is a tendency not to position the tips correctly. For optimal results, it’s advisable to use the stock tips provided with the package. These tips should be fitted so that they cover the entire nozzle and not just the upper portion. Improper insertion can result in a poor seal, which affects the bass response. Initially, I faced this issue but was guided by local audiophile friends to fit the tips correctly, and then evaluate.

Regarding the bass on the Aful Cantor, it is well-executed, emphasizing sub-bass extension rather than mid-bass prominence. The sub-bass offers satisfying depth, extending low to provide a sense of rumble and weight when the track demands it. This gives the IEMs a tactile feel, especially in genres like electronic, hip-hop, and cinematic scores. Mid-bass is punchy and tight, contributing to a sense of speed and control in the lower frequencies. It avoids excessive bloom or bleed into the mids, maintaining a clean and distinct bass profile. This clarity allows for bass guitars and kick drums to present with good texture and detail. For bass-heavy tracks, the Cantor can deliver impact without overpowering other frequencies, making it versatile across various genres. However, bass enthusiasts who prefer an exaggerated response may find the Cantor’s tuning conservative, favoring a natural and balanced presentation over a bass-dominant one.

Mids

The mids on the Aful Cantor are clear and detailed, with a slight forwardness that emphasizes vocals and instruments. This positioning creates a sense of intimacy, particularly with vocal-centric music. Male and female vocals are rendered with good tonal accuracy, providing enough body and warmth for a natural timbre without sounding overly thick. The lower mids are clean, benefiting from bass control, which avoids muddiness or congestion. This clarity extends to the upper mids, where the Cantor maintains detail and presence without harshness. Instruments like acoustic guitars, pianos, and strings have a realistic texture, and complex passages in orchestral music are well-handled. Although the mids are balanced overall, there is a slight upper-mid elevation that can occasionally introduce sharpness in tracks already forward in that range. This sharpness does not become sibilant or fatiguing in most cases but is something to consider for those sensitive to upper-mid frequencies.

Treble

The treble on the Aful Cantor is energetic and detailed without being overly bright. There is enough sparkle and airiness to give cymbals, hi-hats, and other high-frequency instruments a crisp and defined sound. The treble extension is impressive, reaching high enough to create a sense of space and openness in the soundstage. The treble is carefully tuned to avoid harsh peaks that can cause listening fatigue. The Cantor balances detail retrieval with smoothness, allowing for long listening sessions without discomfort. This makes it suitable for genres with intricate high-frequency content, such as jazz or classical music, where treble clarity is essential. Some listeners may find the treble slightly subdued compared to more analytical IEMs, but this restraint helps maintain a balanced overall tonality and avoids a clinical sound signature.

Technicalities

The Aful Cantor excels in technical performance, demonstrating good resolution, imaging, and soundstage.

Resolution: The detail retrieval is superb for its price range, with subtle nuances in the music easily discernible. The Cantor resolves micro-details in well-recorded tracks, making it suitable for critical listening.

Soundstage: The soundstage is wide with a decent sense of space and separation between instruments. While not the widest in its class, the stage has a natural width that enhances the listening experience without sounding artificially stretched.

Imaging: Instrument placement is precise, with accurate positioning within the soundstage, offering a clear sense of directionality.

Dynamics: The dynamic range is solid, with a good contrast between soft and loud passages. The Cantor handles sudden changes in volume and intensity with ease, adding liveliness to the music.

Timbre: A strength of the Cantor is its natural timbre, with slight BA nuances. Instruments sound true, without artificial coloration in the sound.

Conclusion

The Aful Cantor is a well-rounded IEM with a balanced sound signature and impressive technical capabilities. It excels in natural bass, clear mids, and detailed yet smooth treble, combined with strong technical performance in resolution, soundstage, and imaging. While it may not cater to those seeking extreme bass impact or an ultra-analytical signature, it provides a versatile and enjoyable listening experience across various music genres. Overall, the Aful Cantor is a compelling option for audiophiles seeking a detailed and refined sound at a competitive price point, striking a good balance between musicality and technicality. The starry night version is particularly appealing, offering an aesthetic enhancement over the original.

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Fantastic review thanks for sharing :+1:

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thanks a lot for the feedback

I agree , it’s not a tech focused IEM
It’s an overall good package,

It’s 8 across the table

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@Argha do you have the 5128 graphs you referenced on hand? Would love to see them.

I mentioned the source and covered them in the video. Already replied in HeadFi

Super review doesn’t have a 5128, only a clone 711. I think you might be mistaken.

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Edit : Super Review uses 711 Clone and not 5128. (I stated wrongly in previous comments)

I am telling you. I like my IEMs to not have a 10Khz dip which is not suitable for my HRTF since that region sounds a bit too relaxed for me. The cantor manages to provide a natural representation by that 10khz dip which no one seems to be complaining about.

I believe what you hear is correct, no issues there. I just wanted to see if there was a 5128 graph because I hadn’t found one. And this is not a 5128. I will post the screenshots of Super*Review’s squig link where he indicates he uses a 711 clone coupler :


edited_Screenshot_20241109_230632_Firefox

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Sorry for the confusion, can you please send me name of few reviewers who use 5128. Glad it got cleared up this soon, this would’ve been misleading. I was under the impression that he uses 5128, since I mentioned I am using his graph in his discord. And no one noticed.

For the review - Yes! The sense of being safe can be noticed for my HRTF. So all the statements I said in the review is 100% of what I feel.

I stated this issue in HiFiGuides too. If you can contribute to this , it would be great too.

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The Hangout (crinacle) and Headphones.com also have the 5128, but neither seem to be very actively using it.

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appreciate the review. ive been interested in it for a while but there isnt a crazy amount of videos about it online

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Thanks for the feedback