šŸ”¶ Beyerdynamic DT880 600Ī©

After more listening Iā€™m going to go out on a limb here and say that if classical music is your jam, the DT880/600 is the thing to get.

Listening now to Bernstein conducting Sibelius symphonies on Tidal, and wow. Wonderful sound, great sound stage and imaging, and revealing in some interesting ways. I think, for example, I just heard the turning of music score pages.

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So I would say that the e30 and actually instead of an atom a magni 3+ or liquid spark can get it done, but you do get a sizable improvement going with an asgard 3 imo, also it would give a nice performance bump to your sundara as well so I would say itā€™s pretty worthwhile, but if you are pressed for funds the magni3+/ls would work pretty well

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@dcofficehack Yes, mostly classical and female vocals (Barielles, Barlow,etc.) Just feel like the 58x Iā€™ve heard and the Koss ksc 75 gives me a more forward or just different presentation than the Sundaraā€¦dynamic vs Planar. Have to go, but will appreciate any comments. Thanks.

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@M0N Thanks, been thinking Asgard for a while now, and I know you speak highly of it.

Itā€™s just surprisingly good for the price imo, very impressive

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+1 for the 880. I mean, I love my HD6XX. But since I got into the 880 and recently the T1.2 ā€¦
I have no intention to grab my 6XX. But I used the 6XX for nearly two years soā€¦great headphone but now I would definetly vote for the 880. So great!

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OK, thanks, everyone. Itā€™s my birthday today, so I may just treat myself to an Asgard 3. 880 later ( or maybe even also?) Hmmm. :wink:

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Happy birthday! :birthday:

Buying the A3 AND 880 today would be like having your cake and eating it too!

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Also, Iā€™ve been listening to the Asgard today as I donā€™t yet have a balanced cable to play a borrowed set of Audeze on my Liquid Plat. Every time I go back to the Asgard I think ā€œDamn, this is such a good amp for $200.ā€

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@WaveTheory And Iā€™m already full of cake (and my homemade reubens with sister and daughter.) VERY tempting. and thanks for the birthday wishes. Iā€™ve been around a long time; have sung, played, conducted and listened to a LOT of music, but I have never enjoyed listening as much as I do now. All this technology and refinement of equipment, streaming at the touch of a keyboard and Amazing level of detail, richness and overall quality is absolutely wonderful to me, who started out with monaural 78ā€™s!!

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Cool. I can appreciate what you say. Iā€™ve always loved music and audio. It got even crazier when I first got a Tidal subscription. Then the music I could listen to was no longer constrained by what my album/file-buying budget could allow. I went even deeper into audiophilia. No regrets.

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Wait till you listen to Tidal through Roonā€¦

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ā€œand thatā€™s about the time she walked away from me!ā€

I did an in-depth comparison of the DT880-600 and the T1.2 here. Enjoy.

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Nice write-up! :+1:t2:

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Good stuff. You made me love my 880ā€™s even more now lmao. Thanks for nipping my curiosity quite nicely, you saved me from some buyers remorse :slight_smile:

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I appreciate the words, but also thereā€™s no substitute for your own ears.

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Thatā€™s the thing about not having the option of ever getting to demo stuff. I just try to work with whatā€™s said and what I know fro my own experiences. I am bad with this audiophile descriptions on how something sounds but I can grasp what you said about the 880 and it feels inline with my own experience. To that effect I feel Iā€™d be somewhat disappointed. Maybe if I didnā€™t have the 880s but who knows?

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I hear you on that. I also have to buy sight unseen. Some big disappointments, but the 880ā€™s are not one of them. :grin:

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A downside to my DT880/600 - Asgard 3 combo: Some recordings simply are better than others. Iā€™ve been able to hear the difference before, but now the difference is in greater relief. I am becoming pickier. And thereā€™s no way to predict which will be good or bad: listening on Tidal to different versions of, say the same Bach cantata, I find meaningful differences in recording quality, but information like record labels or orchestras donā€™t predict the sound.

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