Kinera Verdandi vs Noble Audio Kublai Khan
About Kinera Verdandi:
It’s good to see these iems getting appreciation. I adore them so much. From the first listen to last night’s session, I have been mighty impressed by Verdandi. They don’t just look beautiful; they sound equally amazing. These are absolute all-rounders. I love the way it induces musicality and balances the technicality. The headstage is quite large and spacious. It gives enough room for each and every instrument to shine, bringing out details and nuances in a very nice way. I am more surprised by the fact that vocals get quite a lot of room, as if some vocal mode is activated on these iems. The extension on vocals/mids is superbly controlled and detailed. The upper mids don’t have any shoutiness at all. The low end is very solid, with a good texture and depth. There is a good amount of subbass. The bass is not something boomy and floaty in character; rather, it is a well-defined and precise bass. With all this goodness, Verdandi handles every genre equally well.
Comparison:
I have been comparing Verdandi and my favorite all-rounder, Noble Audio Kublai Khan. I have owned a KK for the past 6 months. It’s an impressive iem, loved by almost everyone who has tried it. Since the first listen, I got a hint of a similar sound on Verdandi. It’s really surprising to find that these two sound so similar. I compared them for days, on multiple tracks, different genres, multiple sources, etc., just to be fair and detailed.
Driver Config:
Verdandi: 2 Knowles BA + 2 Sonion EST + 1 DD + 1 Bone Conduction Driver
Kublai Khan: 4 Knowles BA + 1 Piezo Tweeter + 1 DD + 1 Bone Conduction Driver
Sources used for comparison:
Lotoo Paw Gold Touch and Astell&Kern SP3000
Results:
I love the looks on both of these iems. Verdandi gets an edge with the amazing design and subtle colors on the shell. KK is lighter and smaller. In terms of accessories, KK has an edge as you get a massive tank like Nanuk case, which leaves no scope for comparison. The one and only gripe with Verdandi is the small case it comes with.
The bass texture is almost identical on these two. KK may have an edge with extended subbass (just by a very small margin). The similar configuration for the lows is producing similar results. DD driver on KK is 10mm vs. 6mm on Verdandi.
The mids on these two have almost equal sweetness and richness. Mids on Verdandi are a bit more upfront and sweeter (again by a very small margin). The energy in the treble is almost identical too. The upper mids on both are quite identical in terms of control and extension. There is no harshness, peakiness, or shoutiness on either of these iems.
On the technical front, the headstage on Verdandi may have an edge, but we cannot really decide if it’s better than Kublai. Verdandi may have an edge in instrument separation. On a few tracks, I do feel Verdandi sounds a bit more open and spacious.
Verdict:
I cannot decide who the clear winner is. I love Kubali Khan a lot, as it is a great all-rounder which plays everything quite well. Verdandi ($1200) achieving this at a price half of KK ($2500) is just unbelievable. With this sweet price on Verdandi and performance so close to KK, KK does not justify this high price at all. I would not pay twice the amount for KK, even if I had some extra bucks available. I hope this helps.