Now Tin Hifi C5 10MM SPD here, thanks to Linsoul and Tin Hifi. Its looks are so similar to those of the Tin Hifi design language. The cable is detachable, which is not new for Tin Hifi. But it’s using a 2 pinned socket, brand new (after Tin Hifi DLC), and welcome to Tin Hifi!
The treble sounds thin on the drum’n’bass of the Pendulum. The source is the legendary V30. I will check that track with dx300. His voice is shouty and distant. I want to believe that this is only because of the source. Background resolution is meh…Everything looks unfinished as of now. But the power needed is pushing v30 limits hard. The sound level is close to maximum, and what I get is moderate to high volume.
However, it fared well in David Gilmour. Drums are smacking on their surfaces. His voice is textured with years of PF. But yet, he is not alone on the stage. Instruments and back vocals are too close to him. And the basses of the Get Lucky sounds muffled if you pay attention.
DX300 time
H gain now. Get Lucky had discovered the luck that Daft Punk had never known. But it’s suffering from a lack of shimmer. Pendulum’s Propane Nightmares - Live at the Brixton Academy Pendulum - Propane Nightmares (Live At Brixton Academy) - YouTube is disappointingly one-sided. Layering is hard to hear.
David G “Rattle That Lock” He is deprived of some elements that make this song nice. I can’t hear his lips opening up before he starts singing. But hopefully, every element is now spaced out.
I have mixed feelings about it. I’ll sleep over it and listen again. But the current situation reminded me of Senn IE80, which needed +250 hours before sounding decent. I fear this might be one of them
15 hours later. I sat down and started listening. I heard tight and somewhat thin basses in electronics. And vocals are separated from electronic instruments too. Okay, basses doesn’t have a spectacular resolution. David G.‘s Rattle That Lock is pretty okay in general, albeit with a slightly more energetic timbre than how it should be. Technicalities have faded out by ½ . And Pendulum sounded distant as usual, the melodic structure beneath is hard to hear. It was a reason I loved using Propane Nightmares Live at the Brixton Academy. The album version doesn’t have that in the climb of the song to its verses.
Boy, I love the second chance at listening and taking notes. 1st time, you’ll be comparing it with your sonic experience (if not to a specific iem) but the second time, your short term sonic memory is refreshed, and you can hear the real earphone. Let this be a note for everybody and future generations.
#iems-other:in-ear-monitors