TForce Yuan Li - Two words and a rant
I’ll just leave here my final impressions on Yuan Li as I’m not going to do a full review on them.
The Package
TForce Yuan Li is a single DD IEM that kicks in at around 120usd, give it or take, with a strong setup inside a very nice box: A nice 3.5mm cable (mine was faulty, but it’s a nice cable), a good set of tips and an awsome carrying pounch.
I’ve seen multiple times more expensive IEMs coming in worse boxes with worse setups, so credit where it’s due. Touché.
IEM build is very good, full metal, with nice finishings and no sharp spots. Comfort, isolation and fit are also good, but YMMV.
The Sound
I would describe Yuan Li as a bass boosted neutral or warm balanced. There’s a clear focus on the lower frequencies of the spectrum, bring up the warmth level and note weight. It’s a very relaxed, smooth and easy to listen set.
Sub-bass has some texture on it, it’s a bit loose and lacks some detail, but it’s present and doing it’s job. Far from perfect replay of Hyper - FCKD, but I’ve heard much worse.
Mid-bass, on the other hand, is trying to do everyone’s job: it bleeds, it overflows… it takes over. Now this is where the problem really starts. As everyone knows, I’m a mid-range afficionado, specially around vocals for testing. Frank Sinatra - My Way’s replay is messy, muded and blured on this frequency. It lacks separation, a cut-off, it lacks bite. Kick drums and bass guitar on RHCP - Throw Away Your Television have too much empashys and lack detail - they are too smoothen out.
Well, as always, due to the bleed, the rest of the mid-range is history. They feel slight recessed as proven by Glass, where Hania Rania’s piano just lacks some life and detail on the middle frequency notes. Upper mids thin out and Agnes Obel - The Curse just feels lifeless. The elevation on the pinna gain might affect the more sensible ones, but not me personally.
Treble is actually well done. Not the most sparkly but does the job well, without ever being hot. Snarkly Puppy - What About Me? Cymbals strikes and electric guitars come out as well done. I just wish it had more air to fake some separation.
Regarding technicalities, the star of the show is imaging. Yuan Li packs an incredible imaging paired with an average stage. Detail is average to below average on this price range.
The conclusion
As obvious, I’m not keen into it. I had some Xenns UP vibes, but some bad ones. While Xenns offering has the tech and the amount of drivers to keep up with all the warmth it puts out, Yuan Li is trying it all with a single driver, and the results are obvious.
It does nothing obnoxiously bad on my library, but does nothing right as well, which is a shame for the price. Placed at 120 usd, it has steep competition, while having no fight to offer against Etymotic ER2XR or even Hifiman RE600S V2. Hell, I’d pick KZ’s DQ6 over this set, 8 out of 10 times, and that costs around 30 bucks. There’s always options out there like MD Aria or GS Audio GD3A that are being acclaimed for a good reason, and they fit this price bracket.
In my opinion, if you want this type of signature, the choice is very obvious amonst my gear: Buy Tripowin Mele and let it run circles on it for half the price.
2/5