Reecho and Peacock Spring 1

First 24 hour impression of the spring.

TLDR:
Solid vocal centric IEM with a fast tight bass with above average detail retrieval at the expense of “splashy cymbal” syndrome.
Excels in: Pop(especially female), Slower Tracks.
Weaknesses: Metal (in general) particularly Progressive Metal.

______________________________________________________________________________.
Source: Tempotech HD Pro (hidisz s8) and Shanling M0. Nothing fancy, cleaner on the HD Pro than the Shanling.

Ear Tips: Went back and forth between various tips eventually settled for foams (and I usually hate foams due to the dirt it accumulates). Stock tips, varying degrees of fun/usefulness, I like the white ones with black stems the best but YMMV. Tried the Reverse KZ Starlines as it usually gives me the best seal but it made the peacock sound more “V” therefore making the splashy syndrome worse.

______________________________________________________________________________.

Bass: Very Good, Prominent, Fast and controlled without muddying the bass. Very consistent regardless of genres and can hold up to faster genres. Lacking in extension as you dont get the same feeling in Hans Zimmer - 2049 compared to sub-bass focused IEMs.

Mids: I echo the sentiment of many other reviewers that the Mids are done well for vocals and for horns. Vocals feel rich and buttery while horns never get shouty. There is a feeling of “non-cohesion” between the bass and mids transition where lower register of the guitar doesnt seem as “snappy” compared to higher mids section. [The classic Stevie Ray Vaughn shuffle is a victim of this, it sounds a little anemic/woolly]

Treble: I have issue with the treble, they REALLY suffer from the splashy cymbal syndrome on faster tracks. You get good detail retrieval of course, but it really is a nuisance that can cause fatigue really quickly.Not ultra resolving (compared to etymotics ER2SE) but it is decent.

______________________________________________________________________________.

Pop Tracks Tested:
Aimer - Tone -> As a singer that has that airiness quality in the voice, the spring captures it well. At times it could abit sibilant if she stretches her range to higher notes.

Michael Bolton - Close to you: WOW, despite the fact many instruments are technically competing in the midrange (Flute, Trumpets, Piano, Strings), the horn and the piano sounds fantastic here. Not to mention Michael’s slight raspy voice sounds very smooth here.

______________________________________________________________________________.

Metal Tracks Tested:
Low Res/Thrash:
Slayer - Raining Blood/South of Heaven -> As lower resolution test tracks, the splashy cymbal syndrome is not as prominent here. Araya’s voice is well balanced, about the same emphasis as King’s guitar work.

Melodic Death:
The Black Dahlia Murder - Verminous/Catacomb Hectacomb. Splashy cymbals are not prominent on Catacomb Hectacomb versus Verminous as cymbals seem to be a bit further back. Bass, Kick Drums are tight and punchy but extension doesn’t go as low. (1:08 on Verminous you can hear the riff but its being drowned out by the floor tom which does not happen on IEMs with more bass extension [I.e. MH755]). Vocals sound better on lower volume as the splashy cymbals not that prominent

Progressive:
Between the Buried and Me - Selkies: Endless Obsession. Like most progressive metal songs, the aggressive metal portion suffers from splashy cymbal portion, but once it reaches the beautiful solo portion you can really test the detail retrieval as the song fades out (you can hear the tapping of the china on the last 8 seconds). Do note : upper frets in the solo gets drowned out by cymbals which was very disappointing.

Thank You Scientist - Party All the Time/FXMLDR. As a band that uses horns in their Prog tracks I can say they hold up extremely well. No shouty upper mids and they gel VERY Well. On 2:10 when you hear all the instruments playing together it never becomes muddy or fighting for your attention.

As a Metalhead, the spring is not my go to IEM. Hell I would even pick up the blons 03 despite its midbass bloat and slow bass recovery because the sound of the splashy cymbals is enough to steer me away.

For everything else that is not metal, this IEM is VERY Good. I was very impressed by how good horns sound on this IEM. I definitely need to do more testing on Genre’s outside of Pop and Metal and also test the fabled burn in effect that chinese reviewers have.

5 Likes

I like them too… my iFi Micro iDSD probably ads a tad of warmth which I guess would help with your treble issue :man_shrugging: I find them fine treble wise but that’s coming from old ears lol…Nice review btw :+1:

2 Likes

Original idea:
4 seasons, special collector box released 11/11 sales day along with “Winter”
Season 1 would be concluded in Spring

As commenter mentioned (and was part of the plan) the seasons along with color themes…(the whole shell) could be

Summer= Warm tuning
Spring = Refreshing/alternate tuning (Monitor/Musician)
Autumn = A variation of a known popular tuning (Harman for example)
Winter = Cold analytical treble leaning detail set

First video ever that made me wanna smash my camera and chuck it at my monitor.

3 Likes

Its a real shame.
I really liked the idea…

But dark blue for summer???
If they wanted a ocean/beach theme for summer why not yellow with light blues and white hues

And the sound is just eh… on the summer and the cable is the same…

2 Likes

Chifi gets mocked for having “now money” syndrome and this is an example of that. The Dunu 480 is 2 DD and graphs the same iirc??

They flushed money down a toilet.
I’m hoping they own the mistake and apologize and get a proper painted and tuned set

2 Likes

Reecho&peacock spring1 reviews

Strengths:
• Incredible detail retrieval
• Bass decays fast
• Virtually no bass bleed/masking
• Spacious headstage
• Linear imaging
• Best paired with warm dac/amp
• Scales with better cable

Weakness:
• Highly sensitive to Insertion depth variation
• Mediocre cable(brown)
• infirmity at higher volume
• tip finicky
• It took an arduous task to achieve optimal sound.
• will not please stern listeners.

My first impressions on the spring 1 is that it was mid centric, treble heavy, and with little to no bass. I was so frustrated because, I just sold my L3(thieaudio) to buy Spring 1. The L3 has a very inviting, warm, pleasant sound on my early impressions. But the moment I saw Electro mod review of the spring 1, and a few reviews in headfi, I knew; the Spring 1 should be what I want. It took 8 days to ship. So basically I have no iem for 8 days haha! I was so excited when this arrived, and boy oh boy. My expectation killed reality. I expected it to sound amazing out of the box just like the L3. Unfortunately it doesn’t. So out of sheer disappointment. I decided to conduct an aprox. 48hr burn-in pink noise max volume on my I pad. I also measure()frequency response on the stock tip that I used.
.
.
.
The tips stock definitely affects the treble response(not so much in mids and lows). So I use my favorite tip; final E tips. I also tried jvc spiral dots, and some obscure daizo wide bore tips that I bought in japan.
.
.
.
The final e tips had the best treble response overall. Unfortunately once you’ve found the best tips, you’ll need to shove it in to your ears, as deep as your ex girlfriend enthusiasm. For some reason the treble on the spring 1, is highly dependent on how dip or far away my insertion depth. It seem to increase mid treble if It had a shallow fit to my ear, but if I shove it deep, it calms the treble down.
.
.
.
I only have a week of experience from the L3, but from what I can remember. the mids sounded pleasant but the resolution was mediocre, the bass has great weight, amazing punch, but the decay is a bit slow, it’s as if there’s a standing wave on the lower frequency, which makes it have this “cabin pressure feel”.
The treble seems to be my favorite part of the L3 sound, it’s has a very engaging delivery , paired with nice resolution.
.
.
.
Its been my 1st week (after 48hrs burn-in) using the spring 1. And I’m happy to say that it really suits my tastes. I’m a musician at heart; primarily a modern fingerstyle guitarist . I listen mostly classical; i.e valentina lisitsa, menuhin violin compositions, etc.
math rock; i.e toe, chon , mouse on the keys, Yvette young etc.
modern progressive metal; i.e plini, AAL, Gem, etc.
Modern Fingerstyle(I don’t listen to sungha jung); antoine dufour(my favorite), erik mongrain, Andy McKee, travis bowman, etc.
Moden jazz; snarky puppy, Jacob collier, thundercat etc…
Jazz; john Coltrane, miles davis, etc…
Modern soul; moonchild, hiatus kaiyote etc…
Jap pop 80s; tatsuro yamashita, etc…
Jap prog jazz 80s; casiopea etc…
Celtic music; Tony mc manus, julia toaspern etc…
Complex jazz improvisation; aydin essen …
.
.
.
As an acoustic guitar player. I prefer a studio like timber with a little bit sparkle(kinda like a d-18). The spring 1 has exceptionally convincing tonality (to my ears) rather than, the L3 which kinda reminds me about of my Dads old jbl speaker(warm hifi sound).
.
.
.
To conclude my love for spring 1. I plug my spring 1 to my fender mustang v2 solid state amp, use it as a monitor. I use twin-reverb amp simulation and it sounded like the real one. It really captured the original amp sound. Hahaha
.
.
.
I also let my bassist friend to take a listen to this. And his reaction was “it doesn’t have bass…” I told him to shove the iems deeper in his ears. Then* he stop talking , closed his eye and listen to his favorite song haha. I waited for him to finish his song, he opened his eyes and said…
"what brand is this? "
.
.
.
.

I guess that sums it up?
Pls take my review as a subjective opinion and not an absolute one.
I reviewed this iem out of sheer enthusiasm, and enjoyment of the hobby, and because I see little to no appreciation for this poor iem.
The power of marketing and hype train, over shadows this kind of gem. I hope more guys would appreciate the spring1 atrocious finicky sound hahaha…
.
.
.
Thanks for taking the time to read my impressions.

Measurement =()
/

Dayton audio imm-6 calibrated manually @104 input, with a vented PVC tubing measured at 5cm( ÷ 2 = 2.5cm) to compensate with the mic length, I also put 3m micropore inside the tube to reduce any High frequency tube resonance.
.
.
No Normalization, everything is db match @1k.

!!! It is not an industry standard rig. So take it with a TON of salt. I only use it to gauge any difference in the frequency response. !!!
.
.
!

9 Likes

Just listened to this on the Springs and man they rock, ok the cymbals are a tad splashy but for $130 they’re on and above the money :+1:

2 Likes

ok so what is meant by “monitor” tuning, is this flat? neutral? like i can trust these for production? would these be the 600’s/6xx of IEM’s? similar to Etymotic without the violation?

They are ok for the price, but if you can bump your price up and still want an iem for studio use you could try the Sony’s EX800st(st for studio use). If you watch a lot of Zeos where he says “these are neutral, but omg not boring” thats how I feel.

1 Like

exactly what i was looking for thank you, would like a compliment to the Etymotics, that fit is sometimes uncomfortable for long, ill research

Yepp sounds good, the default cable is a bit wonky cus it will float off your ear, but if you dont like that you can change it with some $$. And tip wise the cheapest option that works well outside of factory tips are the final audio type E then the Xelastec tips from azla. Can’t go wrong with either :wink:

1 Like

sweet man thank you

1 Like

…back to this set after listening to higher tier stuff and yeah they’re still dope and a thoroughly enjoyable set well worth the asking price imho :+1:
If I rated stuff then an B++

2 Likes

They dont seem super detailed compared to other sets I have so they were a letdown for me, I’m a detail whore I guess lol. But they were good at everything else.

What tips are you using because I’d rec them as pretty detailed…I’ll try then tomorrow against the P1’s but defo better then the IT00’s in that respect.

Hey ohm, I’ve been busy so I’m sorry on the late response. I used all the stock tips and final E if I remember correctly. I like them but they just were not my favorite from what I have access to, on the detail side it just seemed like the transition zones were lacking, ie 300ish hz and around 3 or 4k, where it sounded almost too bloated or slow on the decay so so it just sounded unimpressive down low and also didn’t pop enough for it to sound clean enough/sharp for where I like the treble to start with. For a comparison I do see the tuning to be monitor ish in presentation, so something like the EX800st can be compared to it. The 800st has better resolution in the lower transition zone, it is able to be full while also being fast to my ears, and I do notice a dip in the 4k area when switching to them, but because of the rise after it is able to still give me the information I look for. So for the treble there is a 10 min adjustment for me on the 800st coming from Harmon stuff where it starts to shine and it comes together, the RPs1 never did that for me. And then you talk stuff like SS and imaging and price etc. I liked it until I got the Sony and then it felt redundant/a step below so I hope this makes sense. I’ve been biased against it now LOL. And I try to not have redundant sets if I can help it too. :smiley:

1 Like

No worries mate I still like the Springs i’ve not heard any Sony’s for a long time except my Z1R’s…Sony make solid kit no question my, DC2 walkman lasted me years :+1:

2 Likes