I agree with you about the timbre. I’m totally spoiled by Susvara for acoustic / classical / scores / anything heavy with natural instruments. By that standard, nothing else is as real. MEST is very good, but at times it’s not quite there.
See, for me there is–and it started right off the bat: the first track I tried on OG MEST was “Them Bones” (obligatory pun) by Alice in Chains. The mids are definitely lifeless, and soundstage / imaging don’t really do much to help that track. Unplugged, on the other hand, sounds incredible because of the spatial aspects of the recording.
My experience with OG MEST is very similar to my experience with Eikons: they’re among my favorite headphones for vocals and acoustic music, and they perform quite well with most material, but once in a while I find a track where they kinda clash. Same with OG MEST–maybe 90% of tracks are excellent, another 5+% are absolutely mind-blowing, and the last few are, well, passable, like “Them Bones.”
FWIW, I’m finding MkII to be better as an all-rounder–I’ve yet to find a track that doesn’t work with them. I revisited “Them Bones” last night (after rocking out to “Back in Black”), and the mids are there full force, making both tracks the pounding rock anthems they should be.
Yeah, I’ve yet to have issues with anything in those genres. In fact, more chill tracks with less going on are very easy to mentally navigate and take in every piece.
I worried that the bass in MkII might overwhelm some more laid back tracks; on a whim I tried “Orinoco Flow” last night, and that turned out to be an incredible listen. The background music decays exquisitely, painting the shape of the space as it does, and the extra warmth in the mids give that background the perfect amount of body. Meanwhile, Enya’s vocals are front and center, wonderfully textured and wholly separate from the background.
That surprises me, as well. Some of the best matches on OG MEST for me include Nine Inch Nails, and all manners of electronic music (especially house & anything by Boris Brejcha). With electronic music my minor quibbles about timbre drop away, because artificial electronic sounds have a lot more wiggle room to sound “right.”
MkII can almost be too much at times for extreme bass–certainly much more than my normal preference–but mids are similarly powerful, and the bass is uber clean, so it’s not really a problem.
Anyway, anything live is going to sound exceptional with either MEST because the recordings are chock full of spatial information, and that’s MEST’s specialty.